Gonna Catch That Santa: SoundTrax Digital Audio Download

Beck and Fisher write novelty pieces with genuine charm and clear staging direction, which means your choir gets a finished product with movement already mapped out. The recorded accompaniment lets your singers focus entirely on blocking and performance while staying confident with the harmonic support, and the novelty framework gives your holiday concert a moment of pure fun without sacrificing musicianship.

The piece carries the playful, slightly mischievous energy of a modern holiday comedy, with straightforward melodies that sit comfortably in the voice and arrangements that let the humor shine through in the text and staging rather than complex voicing. It lands somewhere between a choir piece and a musical theatre moment, giving singers permission to be theatrical while maintaining their choral sound and blend.

This arrangement works for mixed or treble choirs at the middle school and high school level who want a contemporary, production-ready holiday piece with built-in movement and staging ideas. Choirs seeking novelty programming that still requires real vocal skill and ensemble control will find the harmonic writing engaging without being prohibitively difficult.

• Establish the movement and staging first in a separate rehearsal before adding harmony work; this piece benefits from ensemble commitment to the visual concept as much as the vocal line.
• Use the recorded accompaniment during early rehearsals to let singers absorb the style and pacing without the added cognitive load of singing and playing an instrument.
• Layer the humor gradually; overselling comedic moments in early rehearsals often leads to overacting by performance time, so keep it understated until the final run-throughs.
• Record a rehearsal video of your blocking and staging once it's solid, then review it with the singers so they internalize spatial relationships and timing cues.

Position this in the second half of a holiday concert where the audience is warmed up and ready for lighter material, or use it as the finale to shift the mood from reverent to celebratory. It pairs well alongside one serious or traditional Christmas piece and one other contemporary selection, creating a balanced concert that appeals to diverse audience expectations.

• Interpreting movement notation and synchronizing physical staging with harmonic entrances
• Maintaining vocal tone and blend while executing choreography
• Following a recorded accompaniment with precision while delivering comic timing and expression
• Balancing ensemble sound during rhythmic unison passages and harmonic sections