Goldilocks: Pyramid Dance (Heart of Stone) for Orchestra and Optional Chorus Cover Image

Goldilocks: Pyramid Dance (Heart of Stone) for Orchestra and Optional Chorus: Full Orchestra, Chorus with Ensemble, Choral Score

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Goldilocks: Pyramid Dance (Heart of Stone) for Orchestra and Optional Chorus Cover Image

Goldilocks: Pyramid Dance (Heart of Stone) for Orchestra and Optional Chorus: Full Orchestra, Chorus with Ensemble, Choral Score

By Leroy Anderson

Item: 36-A601092

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Description
This dramatic and exuberant piece was written for the Tony award-winning musical GOLDILOCKS. The score was well-received at the time, though the musical itself, a parody of the silent film era, is not commonly performed today. The silent film depicted in the musical evolves into an epic about Ancient Egypt, resulting in this song titled HEART OF STONE in the stage production, though it is later titled PYRAMID DANCE for concert performances. An American Pops classic in it's original scoring, this work is part of the Kalmus Leroy Anderson Orchestra Series by E.F. Kalmus. Instrumentation: 2+Picc.2.2.2: 3Sax(opt): 4.3.3.1: Timp.Perc(3-4): Pno(opt): Str(9-8-7-6-5 in set): SATB Chor(opt).

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Additional Details
Series: Kalmus Leroy Anderson Orchestra Series
Publisher: Keiser Productions, Inc.
ISBN10: 8-89-270980-1
ISBN13: 979-8-89-270980-4
UPC: 659859096124
SKU: 36-A601092
Instrumentation: 2+Picc.2.2.2: 3Sax(opt): 4.3.3.1: Timp.Perc(3-4): Pno(opt): Str(9-8-7-6-5 in set): SATB Chor(opt)

More about this title

About the Composer: Leroy Anderson

Leroy Anderson (1908-1975) was an American composer and conductor who defined the pops orchestra repertoire for generations of musicians and audiences. His gift for orchestration and accessible melody made him a central figure in American concert music, and his works remain staples of community orchestras, school ensembles, and professional pops concerts worldwide.

Why we love this

Anderson's orchestration here is masterful: the piece swells with theatrical energy and crystalline brass writing that showcases your strongest players while remaining accessible to competent high school and community orchestras. The optional chorus and saxophones give you flexibility to scale the production to your ensemble's strengths, and the dramatic Egyptian theme provides genuine concert appeal without requiring your audience to know the musical's plot.

What to expect

Expansive and cinematic, with the sweep and spectacle of a silent film brought to life in sound. The piece captures ancient grandeur through lush orchestration and dramatic contrasts, moving from stately passages to exuberant climaxes that feel both sophisticated and joyfully entertaining.

Who it's for

Orchestra directors seeking a substantial concert work with theatrical flair and genuine musical substance. This arrangement accommodates ensembles ranging from smaller orchestras (without optional instruments) to full symphonic forces, making it useful for high school, college, and community orchestras.

How to get the most out of it

  • Balance the woodwind and brass sections carefully in the outer sections; Anderson's phrasing relies on clear voice leading, so ensure the oboes and clarinets sing through the fuller orchestration.
  • If including the chorus, rehearse them separately from the orchestra initially to lock their entrance timing and rhythmic precision, then integrate gradually.
  • Control the tempo through the middle section so the percussion (especially timpani) punctuates rather than drives; this keeps the dramatic arc intact.
  • The optional saxophones add color and period authenticity; if you include them, give them breathing room in the mix rather than burying them under brass.

How to use it

Feature this as a concert centerpiece rather than a filler piece; it commands attention and gives your audience a genuinely satisfying musical experience. The optional chorus makes it ideal for a pops concert, family concert, or spring concert where you want to showcase both your orchestra and singers in a unified dramatic work.

Skills your students will build

  • Balancing multiple orchestral sections in a complex texture
  • Maintaining phrase shape and melodic line across longer musical statements
  • Responding to clear dramatic contrasts and tempo shifts
  • Coordinate ensemble precision in rhythmically driven passages
  • Ensemble blend and intonation in sustained chords and transitional material

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