Gold Mine (arr. Mervyn Warren) Sheet Music Preview

Gold Mine (arr. Mervyn Warren): SATBBB Choral Octavo

As performed by Take 6 / Arranged by Mervyn Warren

Item: 35-DS00471070

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Additional Details
Publisher: Hal Leonard
Page Count: 21
SKU: 35-DS00471070

More about this title

About the Artist: Take 6

Take 6 redefined contemporary a cappella when they emerged in the 1980s, blending jazz harmony, gospel roots, and meticulous vocal arranging into a sound that earned six Grammy Awards and a permanent place in music history. Their approach to voices as instruments capable of producing complex textures, rhythmic precision, and emotional depth has influenced generations of choral musicians and arrangers.

Mervyn Warren, a founding member of Take 6, brings decades of experience as both a performer and arranger. His arrangements reflect the group's signature aesthetic: sophisticated harmonies, rhythmic vitality, and an unwavering commitment to vocal excellence. Warren's work for choirs captures what makes Take 6 special: the sense that voices can do anything.

Why we love this

Mervyn Warren's arrangement transforms a spiritual into an irresistible vocal showcase that sits perfectly at the intersection of accessibility and sophistication. Your singers will feel the grooves and harmonic movement that made Take 6 legendary, without requiring them to navigate impossible ranges or technique. This is the kind of piece that reminds your choir why they love singing together.

What to expect

Warm, energetic, and grounded in spiritual tradition while speaking in a modern voice. The arrangement swings with the kind of natural groove that comes from understanding how voices can function as a rhythm section and melody simultaneously, creating something that feels both joyful and intellectually engaging.

Who it's for

Choirs with a solid foundation in blend and rhythmic independence will find this arrangement rewarding without overwhelming. It works equally well for festival choirs looking to program something with contemporary appeal and for concert choirs wanting to showcase versatility beyond traditional classical repertoire.

How to get the most out of it

  • Shape the rhythmic layers so each voice line lands cleanly. Take 6's genius lives in the interaction between parts, not in individual voices drowning each other out.
  • Work the harmonic color changes as intentional moments. The arrangement likely pivots its sonority several times; make sure your singers hear and feel those shifts as musical architecture, not accidents.
  • Record yourselves frequently during rehearsal. A cappella music demands that singers develop acute ears. Playback sessions build confidence and train everyone's sense of intonation and blend.

How to use it

Pair this with other contemporary spiritual arrangements to create a thematic set that demonstrates your choir's range, or place it as a high-energy contrast in a mixed concert program. The 21 pages suggest substance without demanding an unreasonable time investment from rehearsals, making it ideal for mid season programming when your ensemble is solid but not yet fatigued.

Skills your students will build

  • Singing in close harmony without written pitches (ear training for a cappella contexts)
  • Maintaining independent rhythmic lines while listening to other parts
  • Blending voices to create unified sonority across wide range
  • Interpreting contemporary arranging style rooted in jazz and gospel traditions
  • Intonation control in complex harmonies with no instrumental support

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