Going Solo: Alto Saxophone Cover Image

Going Solo: Alto Saxophone: Alto Saxophone & Piano Book

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Going Solo: Alto Saxophone Cover Image

Going Solo: Alto Saxophone: Alto Saxophone & Piano Book

Arr. Daryl Runswick

Item: 12-0571514960

$12.99
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Description
If you are preparing to face an audience for the first time - whether at home, at school, or on the concert platform - then you are ready for Going Solo. Spanning a wide range of repertoire from lively original material to imaginative arrangements, Going Solo offers a host of fresh challenges, and will be enjoyed by both player and audience alike.

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Additional Details
Series: Faber Edition: Going Solo
Publisher: Faber Music
Page Count: 32
ISBN10: 0-571-51496-0
ISBN13: 978-0-571-51496-0
UPC: 9780571514960
SKU: 12-0571514960
Instrumentation: Alto Saxophone & Piano

More about this title

About the Arranger: Daryl Runswick

Daryl Runswick is a composer and arranger whose work spans classical, jazz, and educational contexts. His arrangements are known for balancing musical integrity with accessibility, creating pieces that engage young musicians without sacrificing artistic substance.

Why we love this

Runswick's arrangements strike a rare balance between musical sophistication and genuine fun. The collection mixes original pieces with fresh interpretations of existing material, giving students real repertoire variety rather than recycled etude patterns. Your saxophonists will walk off stage feeling like musicians, not just students playing through exercises.

What to expect

Moving between moods and styles, these pieces feel less like "student material" and more like a genuine concert program. Some selections sparkle with energy and wit; others invite genuine lyrical expression. The piano writing creates a partnership rather than mere accompaniment, making each performance feel complete and collaborative.

Who it's for

Alto saxophonists preparing for their first solo performance in any setting, from casual studio recitals to formal concert hall debuts. This book works equally well for high school band members seeking audition repertoire and adult learners returning to music. The 32-page collection offers enough material to sustain a full solo recital or provide several pieces for a school concert.

How to get the most out of it

  • Listen carefully to the piano part during rehearsal. The accompaniment often carries harmonic or melodic material that anchors your phrasing, not just provides rhythm.
  • Mark your breaths in advance and plan them where the piano texture naturally allows space. Runswick's writing is pianistic, so respect those moment of breathing room rather than forcing your own.
  • Balance your dynamic range against the piano's fuller sound. These pieces reward nuance, so explore softer passages as much as your bigger moments.
  • Pay attention to articulation markings even in lyrical sections. Clear tonguing shapes the character of each piece, especially in the original material.

How to use it

Feature individual pieces at departmental recitals, jazz showcases, or chamber concert series without needing to build a full solo program around a single work. The stylistic variety also makes this ideal for students building an audition folder that demonstrates musical range. Pair selections with chamber works or band excerpts to show versatility in a 20-minute audition slot.

Skills your students will build

  • Phrasing and musical architecture in the context of solo performance
  • Collaboration with a piano accompanist
  • Stylistic interpretation across original and arranged material
  • Confidence sustaining melodic lines without ensemble support
  • Attention to articulation and tone color as expressive tools

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