Goin' to Boston Cover Image

Goin' to Boston: String Orchestra Conductor Score

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Goin' to Boston Cover Image

Goin' to Boston: String Orchestra Conductor Score

American Folk Song / arr. Carrie Lane Gruselle

Grade: 2

Item: 00-19561S

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Description
Each section will enjoy a turn playing the lively melody in this fun and spirited arrangement from one of today's master writers for young orchestra, Carrie Lane Gruselle. "Kid tested" by the arranger with her own students, this is a great way to introduce your orchestra to sixteenth notes and simple syncopations. This title is available in MakeMusic Cloud.

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Additional Details
Series: Highland/Etling String Orchestra
Publisher: Alfred Music
Page Count: 8
UPC: 038081181707
SKU: 00-19561S

More about this title

About the Arranger: Carrie Lane Gruselle

Carrie Lane Gruselle

Carrie Lane Gruselle earned her Bachelor of Music Education from the University of Wisconsin–Eau Claire and her Master of Music Education from the University of Wisconsin–Stevens Point, where she focused on Suzuki pedagogy. She teaches strings at the elementary and middle school levels in the Appleton Area School District and serves as cello instructor for the Lawrence University Arts Academy in Appleton, Wisconsin.

Why we love this

Gruselle has field-tested this arrangement with her own students, so you know the rhythmic and melodic demands land exactly where they should for Grade 2 ensembles. The rotation of the melody through each section keeps every player engaged and invested in the outcome, while the syncopations and sixteenth notes introduce rhythmic vocabulary without overwhelming young musicians.

What to expect

Bright, energetic, and infectious. The folk tune carries the familiarity of a tune young players might already know, while Gruselle's arrangement adds just enough rhythmic sophistication to feel modern and fresh without losing the infectious bounce that makes the piece fun to play.

Who it's for

Young string orchestras at the Grade 2 level who are ready to tackle more interesting rhythmic patterns and want repertoire that gives every section a featured role. This works well for ensembles that have solid bow control and basic reading skills but are still developing independence in rhythm.

How to get the most out of it

  • Isolate the syncopated rhythms in rehearsal before combining them with the full texture. Have students clap the pattern while others hold sustained notes to build confidence.
  • Highlight which section carries the melody at each entrance so players understand their moment to shine and listen more actively when other voices have the tune.
  • Keep the tempo brisk but controlled; the spirited character comes from clean articulation and rhythmic precision, not speed.

How to use it

This arrangement sits perfectly in a winter or spring concert alongside other folk-based pieces or as a palate-cleanser between heavier works. It also works as a strong closer for a school concert because the tuneful melody and upbeat energy leave audiences smiling.

Skills your students will build

  • Reading and executing sixteenth note rhythms
  • Playing syncopated rhythmic figures accurately
  • Maintaining steady tempo while other sections play rhythmically complex material
  • Listening and responding to melody transfers between sections
  • Balancing articulation and phrasing in a folk-based idiom

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