Godspell and Children of Eden Choruses Cover Image

Godspell and Children of Eden Choruses: SATB Choral Book

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Godspell and Children of Eden Choruses Cover Image

Godspell and Children of Eden Choruses: SATB Choral Book

By Stephen Schwartz / arr. Ben Parry

Item: 12-057151491X

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Description
Accessible and practical arrangements from two popular shows, with bags of style. These choral arrangements provide around twenty minutes of fun and interesting repertoire for the mixed voice choir. The pieces can be used to add variety to a concert program and are sure to be a hit with both choirs and audiences alike.

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Additional Details
Series: Faber Edition: Choral Programme Series
Publisher: Faber Music
ISBN10: 0-571-51491-X
ISBN13: 978-0-571-51491-5
UPC: 9780571514915
SKU: 12-057151491X
Instrumentation: with Piano

More about this title

About the Composer: Stephen Schwartz

Stephen Schwartz has shaped musical theater for five decades, beginning with Godspell in 1971 and continuing through Pippin, The Magic Show, and Children of Eden. His gift for accessible, singable melodies paired with meaningful lyrics has made his work a staple in both professional and educational settings. For choirs, his catalog offers rare material that engages singers without requiring vocal acrobatics while still delivering genuine theatrical impact.

Why we love this

Ben Parry's arrangements capture the optimistic spirit of Schwartz's writing while keeping the vocal lines manageable and the parts balanced. Twenty minutes of material that actually holds audience attention is increasingly hard to find in choral collections, and these selections do exactly that.

What to expect

These arrangements radiate warmth and optimism, grounded in the theatrical sensibility that made both Godspell and Children of Eden resonate with audiences. You'll hear the familiar melodies emerge through clean, ringing harmonies that feel earned rather than simplistic.

Who it's for

Mixed choirs looking to program contemporary musical theater without venturing into overly complex arrangements or obscure material. High school and community choirs will find the part-writing straightforward enough for singers with modest experience, while the musical content remains sophisticated enough to sustain a mature ensemble's interest.

How to get the most out of it

  • Balance the brightness of these pieces against any heavier repertoire on your concert. They work best when audiences have warmed up to your choir's sound.
  • Pay attention to the text underlay in Parry's arrangements; his phrasing choices often differ from the original cast recordings and clarify the harmonic movement.
  • Let the piano part breathe. The accompaniments are written to drive the music, not just support it, so your accompanist needs to shape phrases independently.
  • Find the character in each number before you worry about blend. These songs have personality, and your singers will sound more unified once they know what they're singing about.

How to use it

Slot these into a spring or cabaret concert where you want a shift in mood and energy without dropping into novelty territory. They also work effectively as a suite within a larger concert program, giving your choir a chance to showcase musical theater chops while reminding audiences why Schwartz's songs have lasted this long.

Skills your students will build

  • Singing through sustained phrases without losing vowel unity
  • Balancing theatrical expression with choral blend
  • Responding to text-driven phrasing in contemporary harmony
  • Maintaining rhythmic precision in syncopated material

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