Godard: Allegretto, Op. 116, No. 1: Flute Part(s)
By Benjamin Godard
Item: 00-PK-0003667
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Description
A Flute solo with Piano Accompaniment composed by Benjamin Godard.
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Godard: Allegretto, Op. 116, No. 1: Flute Part(s) comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
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Additional Details
Series:
Kalmus Edition
Publisher:
Alfred Music
Page Count:
10
SKU:
00-PK-0003667
More about this title
About the Composer: Benjamin Godard
Benjamin Godard (1849-1895) was a French composer and violinist whose prolific output spanned operas, chamber music, and pedagogical works. He held a professorship at the Paris Conservatoire and was deeply invested in creating accessible yet musically substantial repertoire for student musicians. His gift for melody and harmonic refinement made him one of the most performed composers of the late Romantic salon tradition.
Why we love this
Godard's Allegretto strikes that rare balance between genuine musical substance and genuine playability. The writing sits beautifully for the flute without pretending to be easier than it is, and the piano part supports rather than overshadows. Teachers consistently program this piece because students emerge from it with both satisfaction and measurable growth.
What to expect
Godard's Allegretto breathes with the intimate elegance of a Romantic drawing room. The melody unfolds with natural phrasing and gentle contours, supported by a piano part that creates atmosphere without demanding virtuosity from the accompanist. The overall effect is refined, songful, and deeply satisfying to both performer and listener.
Who it's for
This piece serves advanced intermediate and early advanced flutists preparing for competitions, recitals, or conservatory auditions. It offers the musical maturity and technical demands needed to demonstrate genuine artistry while remaining solidly within the reach of serious student musicians.
How to get the most out of it
- Shape the opening phrase with a gentle swell rather than staying uniformly mezzo-forte; the Romantic character depends on nuance within seeming simplicity.
- Coordinate with your pianist on the pulse of the accompaniment before rehearsal; a slight rubato emerges naturally when both players trust the underlying tempo.
- Listen across the bar lines to avoid chopping the melody into isolated gestures; long-line singing through the phrase arch is essential to the work's lyrical intention.
- Balance your tone between warmth in the lower register and clarity in higher passages; Godard's orchestration intuition translates to demands for timbral variety.
How to use it
Position this as a recital centerpiece for a student soloist or include it alongside other nineteenth-century salon works to create a thematic program exploring the flute's Romantic repertoire. The moderate length and balanced technical demands make it ideal for competitions where performers need to demonstrate musicality within a compact timeframe.
Skills your students will build
- Sustaining long melodic lines with consistent tone quality
- Shaping phrases through dynamic inflection rather than relying on technical display
- Collaborating with a pianist through precise tempo alignment and responsive listening
- Interpreting Romantic-era phrasing conventions and rubato
- Projecting warmth and elegance in the mid-to-lower register of the flute