God Of Grace And God Of Glory Sheet Music Preview

God Of Grace And God Of Glory: SATB Choral Octavo

By Douglas E. Wagner / By Harry Emerson Fosdick

Item: 35-DS00166955

Digital Download
$2.99
Description

God Of Grace And God Of Glory: SATB Choral Octavo isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Publisher: Hal Leonard
Page Count: 7
SKU: 35-DS00166955

More about this title

About the Composer: Douglas E. Wagner

Douglas E. Wagner

Douglas E. Wagner studied music at Butler University, earning both undergraduate and graduate degrees before spending three decades as a high school music director and administrator in the Chicago area. Since 1973, he has become one of the most prolific composers in American music education, with over 3,500 published works spanning choir, band, orchestra, handbell ensemble, and keyboard music. His compositions have achieved remarkable reach, with more than seventeen million copies sold and performances documented across concert halls, broadcasts, and touring ensembles throughout the United States and internationally.

Why we love this

Wagner's setting captures the dignity and forward momentum of this beloved hymn without abandoning its congregational roots. The arrangement sits comfortably in high school and community choir ranges while offering enough textural variety to keep singers engaged across all seven pages. You get a piece that honors the original melody and Fosdick's powerful text while providing genuine musical substance for your ensemble.

What to expect

There's a sense of earnest conviction in this setting, where the familiar hymn tune gains new depth through Wagner's harmonic language and voice leading. The piece unfolds with reverent confidence, inviting singers to inhabit the text's prayer for divine grace with musical conviction. Its seven pages suggest a more developed treatment than a simple hymn setting, offering choral substance while remaining accessible.

Who it's for

This octavo works for high school choirs, collegiate chamber choirs, church music programs, and community ensembles looking to program a substantial sacred work with solid musicianship demands. Singers need comfort with four-part harmony and the ability to sustain longer phrases, making it appropriate for intermediate to advanced ensembles.

How to get the most out of it

  • Shape the harmonic progressions with subtle dynamic swells rather than drastic changes; the piece gains power through cumulative textural richness.
  • Balance the outer voices carefully so the soprano melody remains clear without dominating the other parts, especially during the fuller sections.
  • Keep the tempo steady and unhurried to allow singers time to articulate the text meaningfully throughout the setting.

How to use it

Consider this as a centerpiece for a sacred or spirituals-focused concert, where it pairs naturally with other hymn-based works or contemporary choral settings. It also serves well as a closing or opening number for services and celebrations, and its moderate length makes it ideal for programming when you need a weighty piece that doesn't demand excessive rehearsal time. The familiar text ensures your audience connects immediately, while the musical setting rewards attentive listening.

Skills your students will build

  • Balancing multiple melodic lines within four-part texture
  • Sustaining longer phrases while maintaining vowel consistency
  • Interpreting harmonic progressions to shape emotional arc
  • Articulating text clarity across full ensemble voicing

You May Also Like