God Is In Control (arr. Heather Sorenson): Choral Instrumental Pak
Arranged by Heather Sorenson
Item: 35-PK00238270
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About the Arranger: Heather Sorenson

Heather Sorenson is a Dallas-based composer and arranger whose music spans churches, universities, concert halls, and competition stages internationally. A pianist first, she has become known for orchestral and choral works that blend traditional and contemporary Christian idioms into a distinctive voice. Her commissions have ranged from Texas A&M University to the Carnegie Hall premiere of her oratorio EXODUS, alongside numerous institutional and private projects.
Teaching runs deep in Sorenson's practice. She spent four years directing elementary music at Grace Academy of Dallas, served as adjunct faculty at Baylor University, and regularly leads master classes and workshops across America on piano, composition, and songwriting. As a guest conductor and lecturer at churches and worship conferences, she continues shaping how musicians approach both the craft and the spiritual dimensions of their work.
Why we love this
Sorenson respects the integrity of Twila Paris's original while completely reimagining its harmonic landscape and rhythmic language. The result feels contemporary without chasing trends, and the orchestral voicings give your singers something genuinely fresh to sing into rather than a comfortable retread of the familiar.
What to expect
Intimate yet expansive. The contemporary rhythmic language keeps things grounded and immediate, while Sorenson's harmonies create moments of genuine harmonic surprise that invite listeners into reflection. Four minutes and ten seconds feels exactly right; the arrangement sustains its energy without overstaying.
Who it's for
Choirs with solid musicianship and comfort moving beyond four-part chorale texture. This arrangement asks singers to hear their voice as part of a larger orchestral tapestry rather than a traditional harmonic pillar, making it ideal for groups ready to expand their vocabulary.
How to get the most out of it
- Pay close attention to the contemporary rhythmic figures in the accompaniment. They anchor the modern feel, so clarity from your rhythm section matters more than volume.
- Let the creative voicings breathe in rehearsal. Sorenson layers voices in unexpected ways, so block out time early to lock chord relationships before adding energy.
- Consider the length (just over four minutes) when building your worship arc. This works well as a centerpiece moment rather than an opener or closing hymn.
How to use it
Program this during a worship service or sacred concert when you want to acknowledge a beloved hymn text while signaling that your choir is comfortable with modern musical language. The length and contemplative arc also make it work as a standalone meaningful piece in a concert setting, giving you space to introduce it with context about both the text and Sorenson's approach to arranging it.
Skills your students will build
- Singing layered, non-traditional voicings in a contemporary harmonic context
- Responding to orchestral textures while maintaining a clear choral line
- Balancing reflection and forward motion in phrasing
- Understanding how rhythmic language can refresh a familiar text