God Bless Us Everyone: String Orchestra Conductor Score & Parts
By Glen Ballard / By Alan Silvestri / As performed by Andrea Bocelli / Arranged by Ted Ricketts / Arranged by John Purifoy
Grade: 3
Item: 35-PK00154973
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Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| God Bless Us Everyone - Full Score | $6.00 | |
| God Bless Us Everyone - Violin 1 | $7.00 | |
| God Bless Us Everyone - Violin 2 | $7.00 | |
| God Bless Us Everyone - Viola | $7.00 | |
| God Bless Us Everyone - Cello | $7.00 | |
| God Bless Us Everyone - Bass | $7.00 |
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Description
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More about this title
About the Composer: Glen Ballard
Glen Ballard is a composer and songwriter who has shaped popular music across multiple genres, from pop and rock to film and television. His work demonstrates a gift for melody and emotional directness that translates seamlessly to orchestral settings, making him a frequent collaborator on major film projects.
Why we love this
This arrangement captures the warmth and accessibility that made Andrea Bocelli's performance resonate with millions without losing the orchestral sophistication your ensemble needs to sound polished. At Grade 3, the string writing stays focused on clear, singable lines that let your players listen to each other while still delivering the emotional payoff a holiday concert finale demands.
What to expect
Gentle and affirming, with a quiet dignity that builds gradually toward warmth rather than spectacle. The writing respects the contemplative quality of the original while giving your ensemble room to shine through clear, expressive phrasing.
Who it's for
String orchestras looking for a concert closer that works equally well for school holiday programs, community ensembles, and church services. Any group needing a piece that audiences recognize immediately while still offering legitimate musical substance will find this adaptation rewarding.
How to get the most out of it
- Shape the opening quietly; the power of this piece lives in restraint before the full swell arrives, so resist the urge to pile on volume too early.
- Balance the melody across your first violins and violas carefully during passages where both carry thematic material simultaneously.
- Let the middle section breathe with space between phrases rather than pushing through them mechanically.
How to use it
Save this for your final piece of the evening, especially in December programs where a recognizable, emotionally grounded title sends audiences out on the right note. It also works beautifully as a transition between more energetic holiday fare and a season's benediction.
Skills your students will build
- Balancing melody and accompaniment across multiple string sections
- Sustaining soft dynamic control while maintaining engagement
- Shaping longer phrases with subtle tempo and expression shifts
- Listening and responding to harmonic context while playing independent lines