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Goblin Feast: String Orchestra Conductor Score & Parts

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Goblin Feast: String Orchestra Conductor Score & Parts

By Keith Sharp

Grade: 2

Item: 98-ST6057

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Description
Energetic and growling music that tells a captivating story within an exciting rhythmic texture. Just what are those Goblins cooking up in their pot? Keith Sharp's flexible scoring provides melody and harmony parts for the cello and bass so you can challenge your advanced players while providing easier parts for your less developed students. Also, an optional extension violin part is included for your hotshot violinists who want to try out their third position skills. Optional percussion contributes to the rich sound of this excellent work. Great music for young ensembles!

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Additional Details
Series: FJH Developing Strings
Publisher: The FJH Music Company, Inc.
UPC: 674398213955
SKU: 98-ST6057

More about this title

About the Composer: Keith Sharp

Keith Sharp

Keith Sharp has shaped string education in Brisbane's regional and state schools since 1985, eventually building a comprehensive ensemble program at Brisbane State High School focused on group tuition and collaborative learning. His gift for crafting imaginative, student-centered repertoire has earned his work widespread recognition, with pieces now performed by young orchestras internationally and multiple selections designated "Editor's Choice" in major catalogs. Sharp holds a Bachelor of Music and a Graduate Diploma of Further Education, and his contributions to music education have been acknowledged through the Ryan Recognition award and the Campbell Newman "Can Do, Educator of the Year" honor. He remains active as a guest clinician, composer, and conductor at schools and music camps throughout Australia.

Beyond his individual compositions, Sharp is co-author of the Encore on Strings series and maintains ongoing involvement with AUSTA Queensland, having served as past President. His work represents the perspective of someone who understands the real constraints and possibilities of developing string programs.

Why we love this

The flexible part writing here reflects Sharp's deep understanding of mixed-ability ensembles. Rather than forcing every student into the same part, he builds cello and bass countermelodies that let your strongest players drive harmonic complexity while keeping others engaged, and the optional extension violin part gives advanced students a genuine stretch without excluding anyone from the fun.

What to expect

A cauldron of mischievous energy, all mysterious stirring and rhythmic bubbling punctuated by darker harmonic colors. The music captures the sly humor of a goblin gang at work, building tension and character through infectious rhythm rather than complex harmonic language.

Who it's for

String orchestras at the Grade 2 level with mixed player abilities and a desire for repertoire that engages everyone simultaneously. Directors looking for Halloween concert material or novelty pieces that still deliver solid musicianship will find this particularly useful for mixed-level programs.

How to get the most out of it

  • Balance the growling character by having the lower strings lean slightly into their parts; they're the heart of the goblin cooking operation.
  • If using the optional percussion, keep it sharp and defined so it punctuates rather than muddies the rhythmic texture.
  • Rehearse the third position extension part separately with your interested violinists before integrating it into full rehearsals so they gain confidence in intonation.
  • Let the energetic tempo establish character early, but don't sacrifice clarity of the rhythmic figures that drive the storytelling.

How to use it

Program this as a novelty opener or closer on a Halloween concert, or as a fun palate cleanser alongside more traditional Grade 2 repertoire. It works equally well as a mid-year morale booster for ensembles that need a break from straighter concert fare while maintaining educational value.

Skills your students will build

  • Rhythmic precision in energetic tempos with syncopated figures
  • Part independence and balance across flexible scoring levels
  • Intonation in third position (extension violin part)
  • Harmonic awareness through countermelodic cello and bass lines
  • Ensemble cohesion while maintaining distinct character within sections

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