Goblin Boogie: String Orchestra Conductor Score & Parts
By Jeff Frizzi
Grade: 2
Item: 35-PK00251113
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Goblin Boogie - Full Score | $6.00 | |
| Goblin Boogie - Violin 1 | $7.00 | |
| Goblin Boogie - Violin 2 | $7.00 | |
| Goblin Boogie - Violin 3 (Viola Treble Clef) | $7.00 | |
| Goblin Boogie - Viola | $7.00 | |
| Goblin Boogie - Cello | $7.00 | |
| Goblin Boogie - String Bass | $7.00 | |
| Goblin Boogie - Piano | $7.00 |
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Description
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More about this title
About the Composer: Jeff Frizzi
Jeff Frizzi has built a reputation for writing accessible orchestral music that energizes young ensembles without sacrificing musical substance. His work appears regularly on festival schedules and concert programs across North America, where his knack for combining engaging themes with genuine pedagogical value has earned trust from directors at all levels.
Why we love this
Frizzi understood exactly what makes a Grade 2 arrangement sing: a central riff so catchy that every player feels invested in the groove, and orchestration that keeps all four string sections active and visible. The blues vocabulary paired with Halloween atmosphere gives your program personality without requiring advanced technique or extensive rehearsal time.
What to expect
Spooky and swinging in equal measure. The E minor tonality carries just enough darkness to feel thematic, while the blues shuffle under it keeps everything playful and rhythmically alive. Pizzicato moments add percussive character that makes every section feel like they're conducting their own part of the groove.
Who it's for
Grade 2 string orchestras ready to move beyond unison etudes into genuine ensemble playing. This works equally well for a school concert, a fall festival, or a Halloween program that needs energy without chaos.
How to get the most out of it
- Lock the E minor riff with your violas and cellos first. Once that foundation sits solidly in the pocket, the violins will fall into place naturally.
- Mark the pizzicato and arco transitions clearly in your parts before the first rehearsal. Young players need visual cues to manage that switch cleanly.
- Push the tempo slightly forward in the bluesy sections to let the groove breathe; it's easy to drag when students focus on articulation.
- Record a reference track during your first rehearsal and play it back. Hearing the piece at performance tempo helps students internalize the rhythmic feel across multiple days of practice.
How to use it
Pair this with a classical or early romantic piece to frame a Halloween concert; the tonal and stylistic contrast actually strengthens both works. At just over two minutes, it also serves beautifully as a closer that leaves audiences smiling and energized.
Skills your students will build
- Blues rhythm and swing articulation in minor keys
- Switching between pizzicato and arco with rhythmic precision
- Maintaining a steady groove as an ensemble without a strong harmonic underpinning
- Playing riffs that define the texture rather than supporting a melody