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Go Where I Send Thee: Jazz Ensemble Conductor Score & Parts

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Go Where I Send Thee Cover Image

Go Where I Send Thee: Jazz Ensemble Conductor Score & Parts

Arranged by Michael Brown

Grade: 3

Item: 98-JE4022

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Description
Michael Brown has given this time-honored spiritual new life with this fresh arrangement. It feels like a Blues Brothers two-beat swing chart all the way. There's a short 4-bar repeated solo section that you can open up for any soloist. A hard-driving swinger!

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Additional Details
Series: FJH Intermediate Jazz Ensemble
Publisher: The FJH Music Company, Inc.
UPC: 674398207237
SKU: 98-JE4022

More about this title

About the Composer: Michael Brown

Michael Brown is a composer and arranger known for bringing contemporary energy to traditional jazz standards and American songbook material. His work in the jazz education space balances accessibility with authentic swing language, making him a trusted voice for middle and high school ensemble directors seeking arrangements that engage students without sacrificing musicality.

Why we love this

This arrangement captures the swagger of classic swing while rooting itself in genuine spiritual tradition. The built-in solo section gives your players a chance to stretch without requiring a separate feature chart, and the straightforward two-beat feel makes it accessible for ensemble learning while still sounding polished and professional.

What to expect

This is a driving, infectious two-beat swing that channels the infectious energy of soul and blues. The melody sits comfortably in the groove while the arrangement builds momentum through layered riffs and call-and-response textures that feel immediately fun to play.

Who it's for

Grade 3 jazz ensembles ready to tackle swing vocabulary and ensemble cohesion. Players with basic jazz language will thrive here, and the accessible difficulty makes it ideal for groups building confidence in the idiom.

How to get the most out of it

  • Lock the rhythm section into a tight, straight-eighth swing feel from the first rehearsal. The Blues Brothers energy depends on rhythmic confidence in the drums and bass.
  • Rotate soloists through the 4-bar solo section across rehearsals so multiple players gain experience with structured improvisation at this level.
  • Keep the ensemble articulation crisp and synchronized during riff sections. This groove lives in precision, not looseness.

How to use it

Program this as a high-energy second-half opener on a jazz concert to reset audience attention, or pair it with other swing-era spirituals and blues-based charts to build a thematic set. The straightforward groove and accessible difficulty make it an excellent mid-season performance piece while your ensemble is still developing chops.

Skills your students will build

  • Two-beat swing feel and rhythmic precision
  • Ensemble blend and articulation in riff-based writing
  • Solo construction within a defined harmonic framework
  • Listening and responding to groove-oriented accompaniment

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