Go the Distance (from Hercules) (arr. John Leavitt): Choral Instrumental Pak
As performed by Michael Bolton / Arranged by John Leavitt
Item: 35-PK00396682
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About the Artist: Michael Bolton
Michael Bolton's career as a recording artist and performer has made him a familiar voice across multiple generations. His interpretation of pop standards and film songs demonstrates the kind of emotional directness that works exceptionally well in choral settings, where sincerity and conviction carry the room.
Why we love this
John Leavitt's arrangement captures the unshakeable optimism of the original without relying on oversinging or cheap tricks. The optional string and percussion parts give you real flexibility: perform it stripped down with just voices for an intimate moment, or build it up into a full celebration that closes the concert on genuine uplift.
What to expect
Bright and forward-moving, with the kind of earnest conviction that belongs in that sweet spot between Disney sweetness and genuine aspiration. The arrangement gives singers room to breathe and phrase as real people rather than cartoon characters, making the message land with authentic weight.
Who it's for
Concert choirs of any age and experience level will connect with this material immediately. The singability, familiar melody, and motivational text make it accessible for younger singers while offering enough harmonic substance to engage more advanced ensembles.
How to get the most out of it
- Balance the harmonic layers so that no single voice part gets buried. The arrangement supports all four parts equally, so the choir will need to listen actively across sections.
- Let the lyrical content guide your dynamics and phrasing rather than pushing hard throughout. The song earns its powerful moments through contrast.
- If using strings and percussion, rehearse them independently first, then bring sections together gradually so the choir can maintain its focus on blend while adapting to the added color.
How to use it
Reserve this for your concert finale when you want to send the audience out energized rather than reflective. It works equally well in a spring show, a ceremony or celebration, or an end-of-year concert where you want to honor the group's growth and effort.
Skills your students will build
- Sustaining legit vocal tone across varied dynamic ranges
- Blending four-part harmony in contemporary pop contexts
- Responding to optional instrumental accompaniment while maintaining ensemble cohesion
- Communicating emotional intent without oversinging
- Managing harmonic independence between voice parts