Go The Distance (from Hercules) (arr. Aaron Dale) Sheet Music Preview

Go The Distance (from Hercules) (arr. Aaron Dale): SSAA Choral Octavo

By Alan Menken David Zippel / As performed by Roger Bart / Arranged by Aaron Dale

Item: 35-DS00451719

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Additional Details
Publisher: Hal Leonard
Page Count: 7
SKU: 35-DS00451719

More about this title

About the Composer: Alan Menken David Zippel

Alan Menken has shaped the sound of modern musical theater through his work on Disney animated films and stage adaptations. His gift for crafting memorable melodies that serve narrative moments has made him essential listening for music educators building film music units and contemporary repertoire into their curricula.

David Zippel's lyrics balance emotional directness with singability, a rare combination in songwriting. His partnership with Menken across multiple Disney projects demonstrates how strong lyrical writing can anchor a melody and make a song resonate across age groups and skill levels.

Why we love this

Aaron Dale's arrangement takes a soaring solo moment and transforms it into ensemble singing that preserves the song's motivational arc while giving every voice a musical line worth singing. The barbershop voicing creates rich harmonic color without requiring advanced vocal technique, making this accessible to developing choirs who still want to sound polished.

What to expect

Heroic and optimistic, but grounded in vulnerability. The arrangement honors the song's core message about persistence and self-discovery, letting the harmonic movement suggest both struggle and forward momentum without overselling either one.

Who it's for

Intermediate to advanced treble choirs looking for contemporary material with real emotional content. This works equally well for high school women's groups, adult amateur choirs, and show choir ensembles wanting a moment of genuine sincerity alongside lighter fare.

How to get the most out of it

  • Balance the melody so it stays prominent even when lower voices carry supporting harmonies; this isn't a wall-of-sound arrangement, so resist the urge to equalize all four parts.
  • Shape the phrase endings with slight ritardandos to honor the emotional weight of the lyrics; the story matters as much as the notes.
  • Use the recorded accompaniment to lock tempos early in rehearsal, but encourage singers to listen past their own part and feel how the harmonies stack vertically rather than horizontally.

How to use it

Pair this with other animated film arrangements to build a thematic set on perseverance and growth, or use it as a palate cleanser between heavier classical works and jazz selections. It sits comfortably in spring concerts or as a finale piece that leaves audiences feeling inspired rather than emotionally drained.

Skills your students will build

  • Singing sustained lines over moving harmonies
  • Shaping phrases with text-driven phrasing rather than breath-driven phrasing
  • Balancing blend in a four-part treble voicing
  • Maintaining stylistic consistency across barbershop harmony
  • Reading and performing contemporary choral arrangements

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