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Go Down, Moses: SSA Choral Book

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Go Down, Moses Cover Image

Go Down, Moses: SSA Choral Book

Three Spirituals

Arr. Gwyn Arch

Item: 12-0571528511

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Description
Go Down, Moses is a collection of three spirituals - the dramatic Go Down, Moses, a jauntry arrangement of Oh Mary, Don't You Weep, and the ever-popular He's Got the Whole World in His Hands. Liven up any concert programme with these classic songs, arranged by the talented Gwyn Arch.

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Additional Details
Series: Faber Edition: Choral Programme Series
Publisher: Faber Music
ISBN10: 0-571-52851-1
ISBN13: 978-0-571-52851-6
UPC: 9780571528516
SKU: 12-0571528511
Instrumentation: with Piano

More about this title

Why we love this

Arch's arrangements strike a balance between accessibility and authentic spirit. Each piece stands on its own musically while the collection as a whole gives directors three distinct moods to work with—from the powerful proclamation of Go Down, Moses to the infectious energy of Oh Mary, Don't You Weep to the gentle embrace of He's Got the Whole World in His Hands. A concert program built around these three spirituals tells a complete story without requiring soloists or complex staging.

What to expect

This collection spans the full emotional spectrum of the spiritual tradition. Go Down, Moses carries the weight of its historical moment and cries out with urgency. Oh Mary, Don't You Weep dances with resilience and humor. He's Got the Whole World in His Hands wraps everything in quiet confidence and care.

Who it's for

SSA choirs looking to program spirituals with authentic arrangements that don't require instrumental soloing or elaborate staging. High school and community choirs will find the voicing and range comfortable, while the emotional weight of the material keeps singers engaged in meaning.

How to get the most out of it

  • Shape the narrative arc of Go Down, Moses through dynamic contrast; let the opening build toward the climactic plea rather than singing it at a constant volume throughout.
  • Find the rhythmic bounce in Oh Mary, Don't You Weep by treating it as a conversation between voice parts; clarity of text matters here as much as precision of rhythm.
  • Allow He's Got the Whole World in His Hands to breathe and settle; the piece works best when singers feel genuinely supported by the arrangement rather than racing through it.

How to use it

Present all three spirituals in sequence to showcase the range within a single cultural tradition, or distribute them across your concert to anchor different sections. The collection works equally well as a standalone sacred concert program or as a grounding element in a program that mixes genres.

Skills your students will build

  • Singing with historical and cultural awareness of the spiritual tradition
  • Part independence in SSA textures with interlocking rhythmic patterns
  • Dynamic control and narrative phrasing across contrasting moods
  • Clarity of text delivery in call-and-response structures

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