Go Big or Go Home: 3rd Violin (Viola [TC]) Sheet Music Preview

Go Big or Go Home: 3rd Violin (Viola [TC])

Recorded by American Authors

Words and music by Zachary Barnett, James Shelley, Matthew Sanchez, David Rublin, Aaron Accetta, Jonnie Davis, and Michael Goodman / arr. Victor López

Grade: 2.5

Item: 00-PC-0017643_VN3

Digital Download
$5.99
Description
Go big and get your audience excited with this bright and energetic sing-along hit arranged by Victor López. American Authors, an indie rock band based in Brooklyn, New York, wrote Go Big or Go Home---a Top 20 hit on Billboard charts and featured in promos for the 2016 NBA Playoff Finals. Given the catchy melody and vibrant rhythms, this song is the hair-raising anthem you have been looking for your program. Great tune for a recruiting demonstration! (2:40)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Go Big or Go Home: 3rd Violin (Viola [TC]) comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Sample Audio
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Sample Video
Additional Details
Series: Pop Intermediate String Orchestra
Publisher: Alfred Music
Page Count: 152
SKU: 00-PC-0017643_VN3

More about this title

About the Composer: Zachary Barnett

Zachary Barnett is the lead vocalist and primary songwriter of American Authors, the Brooklyn-based indie rock band that emerged in the early 2010s. His songwriting balances accessible pop sensibility with rhythmic sophistication, creating hooks that resonate across mainstream and alternative audiences alike.

Barnett's compositions have charted on Billboard and received significant radio play, making American Authors' catalog particularly relevant for music education programs seeking contemporary material that engages student performers and audiences. His work demonstrates how modern songwriting can translate effectively to ensemble arrangements.

Why we love this

This arrangement captures everything that made the original a chart hit: an irresistible hook, driving energy, and the kind of infectious enthusiasm that fills seats at concerts. String students get to play a song they actually recognize, which transforms recruitment demonstrations and concert programs into genuine audience moments rather than obligatory listening.

What to expect

Bright, driving, and immediately recognizable. The arrangement sparkles with the urgency of a rock anthem while maintaining the melodic clarity that makes the original so memorable. From the first notes, the energy communicates excitement and celebration.

Who it's for

String orchestra directors at the middle school and early high school levels who want contemporary repertoire that excites both performers and audiences. This arrangement works equally well for performance groups seeking an accessible crowd-pleaser and for recruiting demonstrations where visibility and engagement matter.

How to get the most out of it

  • Emphasize the rhythmic precision of the string parts to lock in the groove; these rhythms are the backbone of the arrangement, not just accompaniment.
  • Balance the melody line dynamically so the familiar vocal hook stays prominent even when multiple sections carry material simultaneously.
  • Keep articulation clean and consistent across the ensemble, especially in the rhythmic figures that drive the pop sensibility of the piece.
  • Use the 2:40 duration to maintain infectious momentum throughout; resist the urge to slow down in sections where energy naturally dips.

How to use it

Program this as an opener or finale where you need to establish momentum and connect with your audience emotionally. Its pop context and high familiarity make it an excellent recruiting tool at school assemblies or community events, or as the signature piece in a concert themed around contemporary music.

Skills your students will build

  • Maintaining groove-based rhythms with precision and consistency
  • Balancing melody and accompaniment textures in pop/rock arrangements
  • Playing with rhythmic independence across multiple string sections
  • Sustaining energy and musical momentum at a bright tempo
  • Interpreting articulation and dynamics in contemporary ensemble writing

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