Go Away, Little Girl Sheet Music Preview

Go Away, Little Girl: Ukulele

As performed by Donny Osmond

Item: 35-DS00282001

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Additional Details
Publisher: Hal Leonard
Page Count: 2
SKU: 35-DS00282001

More about this title

About the Artist: Donny Osmond

Donny Osmond rose to prominence as a member of the Osmonds, one of the most successful family acts in pop music history. His solo career in the 1970s produced multiple chart hits, establishing him as a capable vocalist across pop, rock, and variety repertoire.

Why we love this

This 1971 pop standard sits comfortably on ukulele and offers students a chance to play a recognizable song from the rock and roll era. The two-page format keeps the arrangement accessible without sacrificing the song's infectious charm.

What to expect

Breezy and upbeat, this tune carries the optimism of early 1970s pop sensibilities. The melody sits naturally on the ukulele's range, giving players a chance to sing through their instrument without strain.

Who it's for

Ukulele students who have basic chord knowledge and can navigate simple melodies will find this arrangement manageable. It works well for players seeking familiar material that connects to classic pop radio hits.

How to get the most out of it

  • Match the vocal phrasing even when playing the melody line solo; this song benefits from breathing space rather than rushing through phrases.
  • Keep the rhythmic pulse steady and light to preserve the pop sensibility the original recording established.
  • Experiment with fingerstyle versus strumming patterns to find what suits your playing level and the performance context.

How to use it

Include this in a casual performance set or informal student recital that celebrates popular music across decades. It pairs naturally with other 1970s oldies arrangements and gives ensemble or solo performers an uplifting closer.

Skills your students will build

  • Melody reading across the ukulele fingerboard
  • Maintaining tempo consistency in a pop idiom
  • Phrasing shaped by vocal conventions rather than instrumental impulses
  • Adapting rhythm patterns between fingerstyle and strum techniques

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