Glory Be To God! (With While Shepherds Watched Their Flocks) Sheet Music Preview

Glory Be To God! (With While Shepherds Watched Their Flocks): SATB Choral Octavo

By Joseph M. Martin

Item: 35-DS00385437

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Additional Details
Publisher: Hal Leonard
Page Count: 9
SKU: 35-DS00385437

More about this title

About the Composer: Joseph M. Martin

Joseph M. Martin

Joseph M. Martin trained at Furman University in South Carolina, where he earned his bachelor's degree in piano performance, then went on to complete a master's degree in piano performance at the University of Texas, Austin. He spent five years teaching piano pedagogy at UT Austin before shifting his focus toward performance and composition. His concert career has taken him across the United States and Mexico, including performances with the Guadalajara Symphony Orchestra and a nationally broadcast recital from Ex-convento del Carman.

Today, Martin balances his work as a composer and arranger with active performance at churches and music conferences. His compositions span a remarkable range of styles and contexts, from concert halls like Carnegie Hall to worship spaces throughout the United States and Canada. He makes his home in Austin, Texas with his wife Sue and their two children.

Why we love this

Martin weaves the beloved Epiphany hymn 'While Shepherds Watched Their Flocks' into a fresh choral setting that respects the tune's dignity while adding harmonic and textural interest. The nine-page scope gives singers enough musical substance to feel genuinely rewarding without becoming unwieldy for holiday planning. His gift for crafting singable SATB voicing shines here, making this accessible for church choirs of varying experience levels.

What to expect

This setting captures the quiet wonder of the Nativity story while maintaining a sense of ceremonial elegance. The familiar hymn melody becomes a thread connecting new harmonic material, creating a setting that feels both grounded in tradition and freshly imagined.

Who it's for

Church choirs preparing Christmas and Epiphany services will find this arrangement immediately useful. It works equally well for concert choirs seeking sacred repertoire that connects to congregational traditions without sacrificing musical craft.

How to get the most out of it

  • Balance the hymn tune carefully so it remains audible across all four parts; the counterpoint should enhance rather than obscure the familiar melody.
  • Shape the opening carefully to establish the reverent character before voices accumulate, allowing each section's entrance to feel organic.
  • Pay attention to text underlay in any contrapuntal sections; clarity of diction matters more than rushing through sustained harmony.

How to use it

Place this strategically within a Christmas or Epiphany service where you want to highlight the hymn itself rather than obscure it. It also works as an anthem in a concert of holiday music, pairing naturally with both traditional carols and more contemporary seasonal works.

Skills your students will build

  • Singing four-part harmony while maintaining awareness of the primary melodic line
  • Balancing independence and unity in SATB texture
  • Sustaining connection to text through contrapuntal writing

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