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Glory and Honour: Concert Band Conductor Score & Parts

$65.00 USD
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Glory and Honour Cover Image

Glory and Honour: Concert Band Conductor Score & Parts

Fantasia on the Crusader's Hymn

By Bill Thomas

Grade: 3

Item: 81-CB12226

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Description
This composition is based on material drawn from the hymn "Fairest Lord Jesus," which is also referred to as "The Crusader's Hymn." Funky and unpredictable rhythms in all parts make this work something a little different for players and audiences, but the strong writing and driving ending will make for a memorable performance.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
Page Count: 256
ISBN10: 1-55473-865-2
ISBN13: 978-1-55473-865-6
UPC: 685462018666
SKU: 81-CB12226

More about this title

Why we love this

Bill Thomas takes a hymn familiar to many audiences and strips away reverence in favor of rhythmic vitality. The funky, syncopated writing across the band keeps everyone engaged and alert, transforming what could be predictable source material into something that surprises both players and listeners. That combination of recognizable melody grounded in genuinely inventive rhythm makes for a concert moment that lands.

What to expect

A hymn tune filtered through a contemporary, syncopated lens. The piece pulses with forward motion and rhythmic unpredictability while the tune itself anchors listeners in something they may recognize. It's reverent and irreverent at the same time.

Who it's for

Directors looking to program something with sacred roots that still feels fresh and energetic. This works for bands with solid fundamentals in rhythmic precision and independent line work, and audiences appreciate the balance between familiar melodic content and unexpected treatment.

How to get the most out of it

  • Lock the rhythm section early. The syncopation only works if percussion and low brass establish the groove with precision; mark those attacks clearly in sectional rehearsals.
  • Balance the hymn tune against the rhythmic activity around it. Players tend to emphasize the new syncopated material, but the melody needs air and space to be heard.
  • Lean into the drive toward the ending. That final phrase is where the composition resolves its rhythmic tension, so build momentum steadily through the second half rather than holding back.

How to use it

Program this in a concert that mixes sacred and secular repertoire, or use it as a bridge between a traditional hymn arrangement earlier in the program and something fully contemporary. It also works well as an opener or closer when you want to establish energy without sacrificing musical substance.

Skills your students will build

  • Reading syncopated rhythms across all parts simultaneously
  • Maintaining ensemble cohesion within complex rhythmic frameworks
  • Balancing independent melodic lines against rhythmic accompaniment
  • Building and sustaining momentum through varied rhythmic textures

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