Gloria In Excelsis Deo (Brass Quintet and Percussion Parts) Sheet Music Preview

Gloria In Excelsis Deo (Brass Quintet and Percussion Parts): Choral Instrumental Pak

By Kevin Memley

Item: 35-PK00462273

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Publisher: Hal Leonard
SKU: 35-PK00462273

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Why we love this

Memley's setting treats this iconic text with both reverence and accessibility. The brass and percussion writing cuts through with clarity, allowing the choir to shine without drowning in orchestral density. You get a piece that works equally well in a concert setting or a festival, without requiring an extended ensemble to pull off.

What to expect

Bright and celebratory without sacrificing dignity. The brass writing has warmth and forward momentum, while the percussion adds color and punctuation rather than dominance. There's an openness to the sonority that lets joy breathe naturally.

Who it's for

Directors looking for a sacred setting that works with modest instrumental resources. This arrangement suits choirs performing in concert or festival settings where a full orchestra isn't feasible but a dignified brass sound adds weight and presence.

How to get the most out of it

  • Balance the brass parts carefully during tutti sections; the quintet can easily cover the vocal lines if the upper voicing leans too heavily into the harmonic foundation.
  • Let the percussion define rhythmic shape rather than merely filling space. Thoughtful use of texture here will give the choir room to breathe between phrases.
  • Check intonation between the brass choir and singers at rehearsal junctures where they move in close harmony. These moments benefit from a slower warm-up together.

How to use it

Anchor a sacred concert or festival appearance with this straightforward, effective setting. Pair it with smaller unaccompanied vocal works to create programming variety, or use it as a closing piece when you want a full ensemble statement without the complexity of a multi-movement work.

Skills your students will build

  • Singing with instrumental accompaniment at a moderate dynamic level
  • Coordinating entrances and phrase endings between chorus and brass ensemble
  • Balancing blend and clarity in close harmonic textures

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