Gloria Fanfare: 1st B-flat Trumpet: Choral SoundPax
For General or Christmas Use
Words and music by Jay Althouse
Item: 00-PC-0015377_T1
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Description
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Gloria Fanfare: 1st B-flat Trumpet: Choral SoundPax comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
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About the Composer: Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he was honored as a Distinguished Alumni. His career in educational music publishing gave him eight years of experience managing rights and licenses, during which he served on the Executive Board of the Music Publishers Association of America. As a composer, he has created more than 800 choral works performed throughout the English-speaking world and maintains membership in ASCAP, earning regular recognition through their Special Award for standard music composition.
Beyond composition, Althouse has collaborated with his wife Sally K. Albrecht on children's musicals and compiled respected vocal solo collections including Folk Songs for Solo Singers. He co-authored foundational choral resources such as The Complete Choral Warm-up Book and Accent on Composers, and created classroom materials for music literacy and composer study. A North Carolina resident, Althouse has contributed to the folk music field through board service with the Folk Art Society of America and published articles in their quarterly periodical.
Why we love this
Althouse's gift for crafting accessible yet sophisticated choral textures shines here, delivering contemporary writing that feels fresh without demanding excessive rehearsal time. The built-in flexibility of alternate lyrics makes this a genuinely functional choice for both seasonal programming and year-round festival use. The recorded accompaniment keeps ensemble confidence high while letting you focus on refining balance and diction in the divisi sections.
What to expect
Gloria Fanfare launches with brilliant energy and celebratory brilliance, the kind of choral writing that feels genuinely contemporary rather than dated. The layered voicing creates a sense of grandeur without sacrificing clarity, and the momentum carries listeners forward with infectious forward motion throughout.
Who it's for
This works equally well for concert choirs looking for a spirited opener, worship singers seeking compelling contemporary sacred music, and festival ensembles wanting a repertoire piece with immediate impact. The relatively compact length and available instrumental parts make it practical for school and church programs of any size.
How to get the most out of it
- Balance the divisi passages carefully during sectional rehearsals; have each voice part secure their line independently before blending them together.
- Use the energy of the opening fanfare to set the piece's driving character, but resist rushing; maintain steady tempo support from your accompaniment track throughout.
- Shape the text expressively by emphasizing key words that carry the piece's message, whether you perform the standard or Christmas version.
- Mark breath points clearly with your singers, especially where the contemporary writing creates longer phrases than traditional settings.
How to use it
Open your concert with this piece to establish an immediate sense of occasion and set an energized tone for what follows. Its versatility with alternate Christmas lyrics makes it equally valuable as a holiday concert opener or a festival season staple, and the 26-page score suggests substantial musical content within a manageable timeframe.
Skills your students will build
- balancing divisi voicing in contemporary choral texture
- sustaining steady tempo and line through driving rhythmic patterns
- performing expressive text delivery in non-traditional sacred settings
- ensemble cohesion and precision in multi-part layered writing