Gloria Allelu Cover Image

Gloria Allelu: 2-Part Choral Octavo

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Gloria Allelu Cover Image

Gloria Allelu: 2-Part Choral Octavo

Music by Jay Althouse

Item: 00-23394

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Description
The meter often changes in Jay Althouse's provocative Gloria Allelu, but only the accompanist needs to handle the scattered five-four bars. Modern choral harmony, vast dynamic contrast, and captivating rhythmic intensity will give every choir a refreshing sound with an up-to-date edge. Listen for the spicy percussion parts on the optional SoundTrax.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 8
UPC: 038081223322
SKU: 00-23394

More about this title

About the Composer: Jay Althouse

Jay Althouse

Jay Althouse studied music education and earned a master's degree in music from Indiana University of Pennsylvania, where he was later honored as a Distinguished Alumnus. Early in his career, he spent eight years managing rights and licensing for a major educational music publisher and served on the Executive Board of the Music Publishers Association of America. This background in publishing gave him insight into what choirs actually need.

As a composer, Althouse has published more than 800 choral works performed across the English-speaking world. He is a member of ASCAP and regularly receives their Special Award for compositions in standard music. Beyond composing, he has co-written children's musicals with his wife Sally K. Albrecht, compiled respected vocal solo collections, authored teaching books including Ready to Read Music and One-Page Composer Bios, and contributed to national folk arts organizations. He lives in North Carolina and has been active in regional choral music leadership.

Why we love this

Althouse gives you rhythmic complexity that sits entirely in the accompaniment, letting singers focus on modern harmonies and bold dynamic contrasts instead of wrestling with shifting meters. The piece delivers genuine contemporary energy without sacrificing singability, and the optional spicy percussion parts add professional polish to a two-part arrangement that sounds anything but basic.

What to expect

Energetic and slightly edgy, with modern harmonic movement that feels contemporary without being harsh. The rhythm pulses with intensity, and the dynamic swings create real drama in a compact eight-page score.

Who it's for

Two-part choirs ready to move beyond traditional sacred writing will find fresh material here. This works for middle school through adult ensembles looking for a piece that sounds current and feels modern without requiring advanced vocal technique.

How to get the most out of it

  • Lock the accompanist into a steady pulse early, especially through the five-four measures; the singers will track the harmonic changes more easily when the foundation is rock solid.
  • Rehearse the dynamic shifts as intentional gestures rather than dynamic markings. Have singers think of each contrast as a narrative moment, not just a volume change.
  • If using the SoundTrax recording, let singers hear the percussion parts in rehearsal so they understand how their part interacts with the fuller texture they'll experience in performance.
  • Layer in the modern harmonies gradually; start with one voice part, then add the second, so singers hear the color each part creates.

How to use it

Place this as a contrasting moment in a sacred concert, especially alongside more traditional arrangements. Its up-to-date sound makes it ideal for services or festivals that want to show choral music's living, evolving repertoire.

Skills your students will build

  • Reading and singing modern harmonic movement
  • Tracking accompaniment through meter changes (singers maintain 2/4 or 4/4 while accompanist handles five-four sections)
  • Dynamic control and shaping across wide ranges of contrast
  • Ensemble blend in contemporary textures

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