Gloria! Cover Image

Gloria!: Choral Octavo SoundTrax CD

$19.95 USD
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Gloria! Cover Image

Gloria!: Choral Octavo SoundTrax CD

Music by Sally K. Albrecht

Item: 00-21129

$19.95
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Description
A new, fresh, rhythmic setting of the Latin "Gloria in excelsis Deo" text. For a truly novel approach, add the percussion ensemble SoundPax, or use the SoundTrax CD which includes all the percussion parts. An exciting opening section gives way to a pensive slower section which opens with an optional treble voice solo ("Laudaumus te. Benedicimus te."). A return to the opening section builds to a climactic finish, capped by a descant on the final, powerful statement of the melody.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
UPC: 038081200507
SKU: 00-21129

More about this title

About the Composer: Sally K. Albrecht

Sally K. Albrecht

Sally K. Albrecht stands among today's most prolific choral composers, with over 600 publications and 75 larger works including musicals and songbooks currently in print. She has received the ASCAP Special Music Award annually since 1987 and spent more than thirty years as Director of School Choral, Vocal, and Elementary Publications at major educational music publishers, including Alfred Music. Her work as a conductor and clinician has taken her to honor choir festivals at Lincoln Center, Carnegie Hall, and The Kennedy Center, and she is particularly recognized for her innovative integration of choral movement into performance.

Albrecht holds degrees from Rollins College (B.A. in Music and Theater, 1976), the University of Miami (M.A. in Drama, 1977, and M.M. in Accompanying, 1979), and has taught at Oakland University in Michigan, Jersey City State College in New Jersey, and Meredith College in North Carolina. In 2021, she received the Distinguished Alumna Award from both the University of Miami Frost School of Music and Rollins College, where she serves on the Board of Trustees. She has also chaired the Board of Trustees for the Omicron Delta Kappa National Leadership Honor Society and received their "Pillar of Leadership" award.

Why we love this

Albrecht's fresh, rhythmically driven approach to this Latin text gives the familiar Gloria text new life without sacrificing its reverent character. The structural arc from energetic to introspective and back creates genuine dramatic shape, and the optional treble solo and descant passages offer natural opportunities for featured singers while keeping the ensemble engaged throughout. The flexibility to perform with or without the included SoundTrax CD means you're not locked into one sound palette.

What to expect

Gloria! balances celebratory joy with moments of genuine contemplation. The opening thrives on propulsive rhythm and bright articulation, while the central slower section creates breathing room with its optional solo passage. The final arc returns to exuberance and builds to an exhilarating climax, leaving singers and listeners with a sense of accomplished celebration.

Who it's for

This octavo works well for intermediate to advanced choirs seeking repertoire that feels contemporary and energetic without abandoning sacred text. It suits choirs comfortable with rhythmic complexity and interested in incorporating optional percussion or working with recorded accompaniment.

How to get the most out of it

  • Establish the rhythmic energy of the opening section cleanly before the choir enters; let the percussion parts (via the SoundTrax CD) anchor the pulse so ensemble precision becomes natural rather than forced.
  • Shape the slower middle section with careful dynamic control to create genuine contrast; the optional treble solo should emerge organically from the ensemble texture rather than feeling separated.
  • Build momentum deliberately through the return to the opening material and into the final section; resist rushing the climax so the descant lands with full impact.
  • If performing with the SoundTrax CD, conduct through it during rehearsals and performance to keep the choir synchronized with the recorded percussion, especially in the rhythmic transitions.

How to use it

This works as an excellent anchor for a Christmas or sacred concert season, particularly as a stronger opening or closing statement when you want to leave audiences energized rather than subdued. It also pairs effectively with more traditional Gloria settings or with other contemporary sacred works, creating a program that feels both grounded and fresh.

Skills your students will build

  • Rhythmic precision in contemporary choral writing
  • Dynamic contrast and phrasing across contrasting sections
  • Blend and balance between featured solo voice and ensemble
  • Synchronization with recorded accompaniment and percussion parts
  • Interpretation of Latin sacred text with modern musical language

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