Glenn Ridge (A Concert March) Cover Image

Glenn Ridge (A Concert March): Concert Band Conductor Score & Parts

$60.00 USD
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Glenn Ridge (A Concert March) Cover Image

Glenn Ridge (A Concert March): Concert Band Conductor Score & Parts

Music by Lennie Niehaus

Grade: 4 (Medium Difficult)

Item: 00-4379

$60.00
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Description
This piece combines the best from the past and present. It is written in the traditional concert march from of the legendary John Philip Sousa, but with harmonies, melodies, and syncopated rhythms that give it a contemporary sound. A variety of soli sections make this a fantastic piece to show-off your entire ensemble.

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Additional Details
Series: Alfred Concert Band
Publisher: Alfred Music
Page Count: 2
UPC: 038081022413
SKU: 00-4379

More about this title

About the Composer: Lennie Niehaus

Lennie Niehaus is a jazz saxophonist, composer, and arranger with deep roots in both classical and contemporary music. He has composed extensively for concert band, film, and television, bringing a sophisticated harmonic sensibility and orchestral craft to each genre he touches.

Why we love this

Niehaus captures the ceremonial dignity of the classic march while infusing it with genuine contemporary flavor. The variety of soli sections gives every section of your band a moment to shine, which builds enthusiasm across the ensemble and keeps rehearsals energized.

What to expect

Glenn Ridge strides forward with the pageantry of a Sousa masterpiece, but its harmonies and rhythmic snap feel rooted in today. There's energy and pride in the writing, punctuated by moments that let individual voices emerge and be heard.

Who it's for

This work suits Grade 4 bands with solid fundamentals and enough maturity to handle the harmonic language. It rewards ensembles with well-developed sections capable of featured passages, and it works especially well for conductors who want to honor the march tradition while programming something fresh.

How to get the most out of it

  • Maintain the march's forward momentum by keeping the pulse steady and clear; the syncopated rhythms will sit cleanly on top of a rock-solid foundation.
  • Balance the soli passages carefully so featured sections project without overwhelming the harmonic support underneath.
  • Shape the contemporary harmonies with attention to voice leading; they'll read more smoothly when each line breathes as a complete phrase.
  • Let the ensemble find the swagger in the syncopation, especially in rhythmic unisons, rather than playing mechanically.

How to use it

Program this as an opener or closer for a concert where you want to establish both ensemble strength and contemporary relevance. It pairs well on a program that mixes traditional and modern repertoire, signaling to your audience that you're rooted in band tradition while moving the art form forward.

Skills your students will build

  • Balancing soli passages within ensemble texture
  • Playing syncopated rhythms with precision and swing
  • Reading and executing contemporary harmonic language
  • Maintaining steady pulse and forward motion in march form
  • Sectional feature performance and musicality

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