Glen Crossing Cover Image

Glen Crossing: Concert Band Conductor Score

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Glen Crossing Cover Image

Glen Crossing: Concert Band Conductor Score

By Todd Stalter

Grade: 1.5 (Easy)

Item: 00-33830S

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Description
This delightful piece is the perfect opener for developing bands. Of the piece, the composer writes, "My dog loves to take walk with our son, and she is always very excited to experience anything and everything on their journeys together. Glen Crossing contains melodies that revealed themselves to me on my walks with Hershey, and hopefully it portrays the fun and joy that 'Hershey and her boy' have every day, rollicking through the neighborhood." This title is available in MakeMusic Cloud.

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Additional Details
Series: Challenger Band Series
Publisher: Alfred Music
Page Count: 8
UPC: 038081394947
SKU: 00-33830S

More about this title

About the Composer: Todd Stalter

Todd Stalter

Todd Stalter built his reputation over 34 years as Director of Bands at Eureka High School in Illinois, where his ensembles earned consistent superior ratings at state contests and claimed 16 Class 1A championships in marching competition. His bands performed in Orchestra Hall in Chicago and at Walt Disney World, and he was inducted into the Illinois State Marching Band Championships Hall of Fame. Beyond his teaching career, Stalter has guest conducted All-State Bands in Georgia and Delaware, served as clinician and adjudicator across the Midwest, and presented on composition and music education at state and regional conferences.

Stalter holds degrees from Illinois State University in Music Education and Trumpet Performance, where he studied conducting with Dr. Stephen K. Steele. His compositions for band and string orchestra are widely performed in schools across the United States and appear on state contest and festival lists. Several of his works are included in the "Teaching Music Through Performance in Band" series published by GIA, a standard reference for music educators.

Why we love this

Glen Crossing captures genuine joy in its melodies and orchestration without talking down to developing musicians. The Grade 1.5 difficulty level doesn't mean simplistic texture or shallow musical content; instead, Stalter writes passages that reward attention while remaining comfortable for young bands to execute cleanly. It's an ideal opener because it builds confidence and reminds students why they're in band.

What to expect

Glen Crossing radiates the easy contentment of a neighborhood walk with a beloved companion. Melodies emerge naturally and circle back on themselves, sometimes playful and sometimes reflective, while the harmonic foundation stays warm and uncomplicated. The piece never demands intensity or virtuosity; instead it invites players to simply play with clarity and warmth.

Who it's for

This is repertoire for developing concert bands, particularly ensembles in their first two years of cohesion. The Grade 1.5 difficulty makes it accessible for younger and less experienced players while offering enough musical substance to engage maturing musicians. It works equally well as a confidence builder for struggling programs or as a polished opener for more experienced groups.

How to get the most out of it

  • Balance the melodic voices so that the primary tune sings clearly while secondary lines maintain rhythmic independence. Young bands often collapse into homophonic blocks; resist that tendency.
  • Keep the tempo brisk and light. The piece thrives on forward motion and conversational energy between sections, so resist the urge to drag.
  • Shape phrases with subtle dynamic nuance rather than dramatic contrast. The writing is transparent enough that small crescendos and diminuendos register immediately.

How to use it

Open your concert with this piece to establish a positive tone and showcase accessible musicianship early. Its eight-page length and moderate difficulty make it ideal for spring or fall festivals where you want something polished but unpretentious. The piece also works as a strategic choice for contest performances where you're programming across multiple grade levels and need a unifying moment of genuine musicality.

Skills your students will build

  • Executing clear articulation and phrase definition at a moderate tempo
  • Maintaining secondary melodic lines without overshadowing primary voices
  • Reading concert band textures that balance multiple instrumental families
  • Responding to subtle dynamic shaping within a narrow expressive range
  • Building section cohesion through transparent orchestration

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