Give A Little Love At Christmas Sheet Music Preview

Give A Little Love At Christmas: 2-Part Choral Octavo

By Mary Donnelly / By George L.O. Strid

Item: 35-DS00302173

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Additional Details
Publisher: Hal Leonard
Page Count: 2
SKU: 35-DS00302173

More about this title

About the Composer: Mary Donnelly

Mary Donnelly

Mary Donnelly grew up in Reno, Nevada and pursued dual degrees in English and French at the University of Nevada before discovering her passion for music education. She earned her Master's Degree in Education from Lesley College in Cambridge, Massachusetts, where she focused on integrated arts instruction. For three decades, she taught general music and choir in the Washoe County School District, retiring after building a deep commitment to making music accessible to young musicians.

In 1985, Donnelly began a creative partnership with George L.O. Strid when they were asked to compose a musical for their school's Reading Week. That first collaboration sparked an enduring collaboration that has produced over two hundred songs and twenty-five musicals. Active in ACDA, NEA, and ASCAP, Donnelly continues to live in Reno with her husband.

Why we love this

Donnelly and Strid understand what works with young voices and what holiday songs actually stick with singers beyond December. The melody sits naturally for developing voices while the text carries genuine warmth without veering into saccharine territory.

What to expect

Warm and unpretentious, with a melody that feels like something singers genuinely want to share. The text centers on generosity and human connection rather than religious themes, giving the piece a community-focused feel that lands with audiences.

Who it's for

Elementary and middle school choirs looking for accessible holiday repertoire that works for singers with limited experience. This piece also suits secular holiday concerts where you need something straightforward and genuinely likable without requiring extensive rehearsal time.

How to get the most out of it

  • Shape the phrase endings with a gentle lift rather than letting them drop; this keeps the tune feeling buoyant and gives singers something to reach toward.
  • Balance the two parts so neither dominates; a 2-part arrangement works best when both lines feel equally important to the musical story.
  • Let the accompaniment anchor the harmonic movement, especially during any moments where the voices sustain longer notes together.

How to use it

Pair this with other secular holiday selections for a concert segment focused on goodwill and kindness. Its accessibility makes it an excellent opener for a winter concert, allowing you to establish ensemble cohesion with the audience before moving to more complex repertoire.

Skills your students will build

  • Singing in stable 2-part harmony without doubling the melody
  • Sustaining longer note values while maintaining intonation
  • Lyrical phrasing and text expression in a secular holiday context
  • Blending part lines while maintaining individual voice independence

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