Girod: Suite from the 23rd Psalm "L'Eternal Est Mon Berger"
By Marie-Louise Girod
Item: 00-PK-0003409
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Description
An Organ solo, composed by Marie-Louise Girod.
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Girod: Suite from the 23rd Psalm "L'Eternal Est Mon Berger" comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
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Additional Details
Series:
Kalmus Edition
Publisher:
Alfred Music
Page Count:
24
SKU:
00-PK-0003409
More about this title
About the Composer: Marie-Louise Girod
Marie-Louise Girod (1902-1994) was a Swiss organist and composer whose sacred works earned respect throughout Europe during the twentieth century. She composed primarily for the organ and brought a lyrical, accessible approach to liturgical music while maintaining compositional sophistication.
Why we love this
Girod's Suite based on the 23rd Psalm offers organists a mature twentieth-century work that balances structural coherence with genuine accessibility. The piece succeeds as both recital material and liturgical music, giving organists real options for sacred programming beyond the usual Romantic or contemporary canon.
What to expect
The music unfolds with quiet dignity and spiritual introspection. Girod's treatment of the psalm text creates moments of gentle reflection interspersed with passages of modest grandeur, never bombastic but never timid either. The overall mood is one of contemplative faith expressed through clear, elegant musical lines.
Who it's for
Intermediate to advanced organists seeking substantial twentieth-century sacred repertoire that works equally well in recital and church service settings. This Suite appeals to players comfortable with modern harmonic language who want to expand beyond the familiar Romantic organ canon.
How to get the most out of it
- Attend to the harmonic language throughout; Girod's twentieth-century palette rewards clear articulation of chord progressions and voice leading that might sound modern to ears accustomed only to nineteenth-century organ repertoire.
- Shape the work architecturally across all 24 pages rather than treating it as a series of isolated movements; the psalm setting creates a larger arc that benefits from strategic pacing and registration planning.
- Use the organ's full tonal palette to distinguish character between movements, but resist over-colorization that obscures Girod's melodic writing.
How to use it
Feature this Suite as a complete standalone recital work, or draw individual movements for specific liturgical seasons. The 24-page length makes it substantial enough to anchor a concert program while remaining practical for church services where the psalm's text remains liturgically relevant year-round.
Skills your students will build
- Interpreting twentieth-century harmonic language and modal inflections
- Large-scale structural planning across multiple movements
- Registration and tonal design for organ works without prescribed stops
- Balancing accessibility with compositional sophistication in sacred music