Gift Wrap Riot: 2-Part Choral Octavo
Words by Andy Beck and Brian Fisher / music by Andy Beck
Item: 00-PO-0006718
Minimum order quantity: 20 copies
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About the Composer: Andy Beck

Andy Beck directs choral publications at Alfred Music and has composed and arranged more than 450 works for choirs, vocal ensembles, and children's theatrical productions. His educational materials including Sing at First Sight, Foundations in Choral Sight Singing, and Vocalize! 45 Vocal Warm-Ups That Teach Technique have shaped choral pedagogy across countless classrooms. A tenor himself, Beck performs regularly with the North Carolina Master Chorale Chamber Choir and maintains an active schedule as a guest conductor, choreographer, and clinician in honor choirs and all-state festivals throughout the Southeast and beyond.
Beck's prolific catalog reflects deep knowledge of what works in rehearsal and on stage. His education degree from Ithaca College and master's degree from Northwest Missouri State University ground his work in music literacy and vocal technique, while his experience as an Alfred studio singer since 1992 keeps him connected to the realities of performance. His music reaches singers worldwide, and his dual expertise in composition and movement staging has made him particularly valued for pieces that combine strong musicianship with theatrical engagement.
Why we love this
This piece captures the infectious energy of holiday chaos without requiring weeks of rehearsal. The vocal lines sit comfortably for a 2-part setting, which means you'll spend your precious rehearsal time on the choreography and staging rather than drilling intervallic leaps. Beck's hand jive tradition taps into what young singers actually find fun about novelty repertoire.
What to expect
Pure celebration and chaos in the best way. The energy bounces forward like wrapping paper flying across the room, with hand motions and vocal rhythms that feel as much like play as they do like singing.
Who it's for
Middle school and high school choirs with active traditions of including upbeat seasonal repertoire in their winter concerts. This works equally well for smaller ensembles and large choirs since the 2-part voicing accommodates flexible group sizes.
How to get the most out of it
- Build the hand motions gradually over 2-3 rehearsals before adding them to the singing. Separating the physical coordination from the vocal focus prevents tension and keeps intonation stable.
- Watch the free ChoreoTrax video early in your rehearsal process so students see the full staging vision from day one. This accelerates their confidence and reduces the number of times you need to demonstrate the movements yourself.
- Keep the rhythmic precision tight in the hand jive sections. The humor lands harder when the group moves as one unit rather than dragging or rushing.
How to use it
Place this after a slower or more serious holiday selection to shift the mood and reinvigorate your audience. It pairs well with any concert format where you want to showcase your singers' personalities and movement skills alongside their vocal ability.
Skills your students will build
- Coordinating singing with choreography and hand motions
- Maintaining rhythmic precision during staged movement
- Building confidence in novelty and comedic repertoire
- Ensemble unity and synchronized physical performance