Giddy-Up! Sheet Music Preview

Giddy-Up!: 2-Part Choral Octavo

Arranged by Mary Donnelly / Arranged by George L.O. Strid

Item: 35-DS00262355

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Additional Details
Publisher: Hal Leonard
Page Count: 2
SKU: 35-DS00262355

More about this title

About the Arranger: Mary Donnelly

Mary Donnelly

Mary Donnelly spent three decades in the classroom, teaching general music and choir across elementary and middle school settings in Reno, Nevada. Her formal training included a Bachelor of Arts from the University of Nevada, Reno in English and French, followed by a Master's Degree in Education from Lesley College, where she studied arts integration across the curriculum. She is an active member of ACDA, NEA, and ASCAP.

In 1985, Donnelly began collaborating with George Strid when they were asked to co-teach a sixth grade general music class. That initial partnership yielded their first musical, The Million Dollar Mystery, and launched a prolific writing career spanning over two hundred songs and twenty-five full musicals. Their work reflects decades of direct experience understanding what engages young singers.

Why we love this

Donnelly and Strid have spent their careers writing for the voices in front of them, and it shows. Giddy-Up! packs personality and singability into a compact format that works whether you're building unison confidence or introducing your singers to simple two-part writing without overwhelming them. The straightforward voicing lets the fun shine through.

What to expect

Giddy-Up! captures the spirit of its title, bubbling with lighthearted movement and the kind of straightforward joy that appeals to younger singers. The piece feels accessible and unpretentious, designed to make singers smile while they learn.

Who it's for

Elementary and middle school choirs preparing for concerts will find this a natural fit for mixed-ability ensembles. It works equally well for directors seeking a fun secular piece that doesn't demand extensive rehearsal time or complex vocal technique.

How to get the most out of it

  • Keep the energy consistent throughout; this piece thrives on steady forward motion rather than dramatic dynamic shifts.
  • Balance the two parts so neither voice overwhelms the other, especially if your singers are new to part singing.
  • Let the lyrical content drive your phrasing choices. Natural speech rhythm often guides how to shape these lines.

How to use it

This works beautifully as a concert opener or as part of a thematic program built around Western or playful repertoire. Its brevity and two-part simplicity make it an excellent choice for a spring concert when you want something uplifting without programming complexity.

Skills your students will build

  • Singing in two-part harmony
  • Maintaining independence in a secondary vocal line
  • Rhythmic precision with energetic tempos
  • Diction and articulation in secular text

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