Ghostbusters Sheet Music Preview

Ghostbusters: 3-Part Mixed Choral Octavo

Words and music by Ray Parker, Jr. / arr. Tom Anderson

Item: 00-PO-0007324

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Description
Grab your proton pack and join the ultimate ghost-busting adventure with Ray Parker, Jr.'s iconic 1980s hit. This action-packed novelty goes over the top with high-energy beats and a catchy chorus that instantly gives supernatural silliness. Whether you're celebrating Halloween or just in need of a good time, this retro throwback will get everyone dancing.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 8
SKU: 00-PO-0007324

More about this title

About the Composer: Ray Parker

Ray Parker Jr. is a multi-instrumentalist and producer who dominated the 1980s soundtrack landscape. His work spans film scores, pop hits, and television themes, with a gift for crafting melodies that lodge instantly in the listener's ear and stay there for years.

Why we love this

This arrangement captures everything that made the original a phenomenon: infectious hook, relentless energy, and permission to be completely unserious. Tom Anderson's SAB voicing keeps the chart accessible while maintaining the song's comedic punch and driving rhythm.

What to expect

Pure comedic relief wrapped in a groove that refuses to quit. The arrangement bounces forward with synth-pop nostalgia, mixing spoken asides with sung passages that feel both goofy and genuinely fun to perform.

Who it's for

Directors looking for a surefire crowd-pleaser that requires minimal rehearsal investment while delivering maximum audience reaction. Works especially well in mid-year concerts when singers need a morale boost and energy is flagging.

How to get the most out of it

  • Keep the tempo locked in throughout. The groove matters more than perfect intonation on every note; if the rhythm section slides, the whole arrangement collapses.
  • Lean into the spoken sections and ad-libs. Letting singers own the personality and attitude in these moments is where the novelty actually lands.
  • Balance the chorus parts so the hook cuts through. This song lives on the top line; the supporting voices need to sit firmly behind it.
  • Record a rehearsal run with the accompaniment track and listen back for phrasing. The original has specific rhythmic quirks that feel snappy when nailed but clumsy when rushed.

How to use it

Slot this between two stronger concert pieces to reset the room's energy and give the audience permission to laugh. It also makes an ideal closer if your program leans into an upbeat, celebratory tone.

Skills your students will build

  • Rhythmic precision in syncopated pop/rock grooves
  • Balancing written melody with rhythmic pocket
  • Stylistic interpretation and character work in novelty material
  • Ensemble blend across three independent voices

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