Gettin' In The Mood - For Christmas Sheet Music Preview

Gettin' In The Mood - For Christmas: Choral Instrumental Pak

By Brian Setzer / By Joseph Garland / By Michael Himelstein / Arranged by Mac Huff

Item: 35-PK00029237

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Description
You'll be "in the mood" for a great holiday with the Brian Setzer adaptation of the famous swing classic recently released on his "Dig That Crazy Christmas" album. A great opener or concert theme! Performance Time: Approx. 3:05.

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK00029237

More about this title

About the Composer: Brian Setzer

Brian Setzer built his reputation as the guitarist and frontman of the Stray Cats, the rockabilly revival band that dominated the 1980s. Beyond that commercial success, he developed a serious engagement with American swing and big band traditions, becoming known for his ability to bridge rock energy with jazz idiom. His festive album "Dig That Crazy Christmas" demonstrates his commitment to reimagining holiday standards through the lens of swing and rockabilly.

Why we love this

Mac Huff's arrangement captures the snap and sass of the original swing standard while keeping the energy high enough to open a concert without feeling like background music. The combo voicing keeps rehearsal manageable while delivering that satisfying big band punch, making it an efficient choice for directors juggling multiple holiday commitments.

What to expect

Sophisticated cocktail-hour sophistication with a wink and a nudge. The arrangement sparkles with that particular kind of joy that comes from playing something slick and slightly rebellious, a holiday moment that doesn't take itself too seriously but absolutely commits to the groove.

Who it's for

Directors seeking a holiday opener that commands attention without demanding a massive ensemble. This works equally well for community choirs, school programs, and professional vocal groups comfortable with contemporary swing language.

How to get the most out of it

  • Lock the syncopation in the rhythm section first; the groove hangs on precise articulation of the offbeats rather than driving the tempo forward.
  • Balance the swing feel against any temptation to rush. Three minutes five seconds gives you breathing room, so use it to let the groove settle.
  • Shape the dynamics around the brass punchlines. They're what make this an opener that lands.

How to use it

Open a second act with this number to reset the room's energy, or anchor a holiday medley that leans into jazz and swing classics. The relatively compact runtime makes it perfect for filling a specific programming slot without overwhelming your pacing.

Skills your students will build

  • Swing articulation and rhythmic phrasing in a contemporary context
  • Reading and executing syncopated rhythms across multiple vocal lines
  • Balancing ensemble blend with individual voice independence in jazz voicing
  • Ensemble precision in tight horn-like figures written for voices

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