Gettin' in the Mood (for Christmas) Cover Image

Gettin' in the Mood (for Christmas): SAB Choral Octavo

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Gettin' in the Mood (for Christmas) Cover Image

Gettin' in the Mood (for Christmas): SAB Choral Octavo

Words by Mike Himelstein and Brian Setzer, music by Joe Garland [The Brian Setzer Orchestra] / arr. Larry Shackley

Item: 00-39893

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Description
Combine a well-known big band tune with new holiday lyrics and the result is this swingin' hit from Brian Setzer's album Dig That Crazy Christmas. This stylish arrangement, with horn parts available, would make a festive theme for December concerts.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Gettin' in the Mood (for Christmas): SAB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 16
UPC: 038081445540
SKU: 00-39893

More about this title

About the Composer: Joe Garland

Joe Garland composed "In the Mood," one of the most recorded and performed jazz standards of the 20th century. Originally written in 1939, the tune became a cornerstone of swing repertoire and has been adapted countless times across genres and instrumental combinations. Garland's gift for crafting memorable melodies with infectious rhythmic drive made his compositions enduring vehicles for arrangers and performers seeking material that engages both musicians and audiences.

Why we love this

Swinging a beloved standard under new holiday lyrics gives your December concert an immediate sense of fun and sophistication. Directors appreciate arrangements that let ensembles feel the groove of the big band era while staying accessible for three-part mixed voices. The optional horn parts open up creative instrumentation options without requiring them, making this flexible for different performance settings.

What to expect

Energetic and festive without losing the cool sophistication of the original big band sound. The familiar melodic hook sits comfortably in your voice parts, and the syncopated rhythms give singers something fun to lock onto while conveying genuine holiday spirit.

Who it's for

Choirs performing December concerts, from community ensembles to school groups looking for material with broad appeal. SAB voicing makes it accessible to mixed-voice choirs without large numbers of each part, while the swinging arrangement keeps singers engaged and audiences entertained.

How to get the most out of it

  • Lock into the swing eighth-note feel from the opening; the groove rides on a relaxed backbeat, not a march-like pulse.
  • Balance the three voices so the melody emerges clearly while the harmony parts maintain rhythmic cohesion, especially in the riff-based sections.
  • Use the recorded accompaniment to establish tempo and feel during rehearsals, then gradually reduce dependence on it as the group internalizes the groove.
  • If adding the optional horn parts, rehearse them separately first so they lock with the rhythm before layering in the choir.

How to use it

Open or close a December concert with this to set a celebratory tone and give audiences an immediate sense of joy and movement. It pairs well alongside both traditional carols and contemporary holiday material, serving as a stylistic anchor that broadens your programming beyond typical seasonal expectations.

Skills your students will build

  • Reading and executing swing eighth-note rhythms with proper articulation and phrasing
  • Balancing ensemble blend across three independent voice parts in a rhythmically active arrangement
  • Singing syncopated melodies and riffs while maintaining harmonic stability
  • Interpreting jazz and swing style conventions in a choral context

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