Get Smart: Jazz Ensemble Conductor Score & Parts
By Irving Szathmary / Arranged by Roger Holmes
Grade: 3
Item: 35-PK00118624
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Get Smart - Full Score | $6.00 | |
| Get Smart - Alto Sax 1 | $6.00 | |
| Get Smart - Alto Sax 2 | $6.00 | |
| Get Smart - Tenor Sax 1 | $6.00 | |
| Get Smart - Tenor Sax 2 | $6.00 | |
| Get Smart - Baritone Sax | $6.00 | |
| Get Smart - Trumpet 1 | $6.00 | |
| Get Smart - Trumpet 2 | $6.00 | |
| Get Smart - Trumpet 3 | $6.00 | |
| Get Smart - Trumpet 4 | $6.00 | |
| Get Smart - Trombone 1 | $6.00 | |
| Get Smart - Trombone 2 | $6.00 | |
| Get Smart - Trombone 3 | $6.00 | |
| Get Smart - Trombone 4 | $6.00 | |
| Get Smart - Guitar | $6.00 | |
| Get Smart - Piano | $6.00 | |
| Get Smart - Bass | $6.00 | |
| Get Smart - Drums | $6.00 | |
| Get Smart - C Solo Sheet | $6.00 | |
| Get Smart - Bb Solo Sheet | $6.00 | |
| Get Smart - Eb Solo Sheet | $6.00 | |
| Get Smart - C Bass Clef Solo | $6.00 |
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Description
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More about this title
About the Composer: Irving Szathmary
Irving Szathmary is a composer and arranger whose work spans both classical and popular music idioms. His ability to craft accessible yet engaging arrangements has made him a fixture in music education, where his compositions serve as bridges between concert hall sophistication and genuine enjoyment for student musicians.
Why we love this
Roger Holmes' arrangement captures the spy genre's inherent wit without losing the melodic charm that made the original theme a cultural touchstone. Grade 3 difficulty means your ensemble spends rehearsal time on jazz interpretation and ensemble balance rather than wrestling with technical barriers, and the familiar material keeps rehearsals energized even during sectional work.
What to expect
Slick and knowing. The arrangement carries the original theme's deadpan cool while encouraging players to inhabit the language of jazz swing. There's room for personality here without sacrificing the composed structure.
Who it's for
Jazz ensembles at the intermediate level who want a piece that generates immediate recognition and audience engagement. This works equally well for programs seeking approachable repertoire that doesn't sound watered down, or for directors building confidence in students newer to jazz idioms.
How to get the most out of it
- Balance the spy movie tone between straight-ahead swing feel and the angular, slightly off-kilter gestures that define the genre. Resist the urge to over-play the winking humor.
- Listen carefully to how the melody sits against the rhythm section. The theme's effectiveness depends on clean articulation from the front line without rushing the underlying groove.
- Pay attention to dynamic shape within phrases. The arrangement likely plays with tension and release through volume, so marking your parts with specific objectives for each entrance builds cohesion.
How to use it
Schedule this as an opener or closer on a jazz concert where it can anchor a themed set (spy films, TV classics, or mid-century popular culture). It also serves well as a reprieve between heavier jazz standards or originals, giving your ensemble a moment of levity while maintaining musical substance.
Skills your students will build
- Jazz articulation and phrasing appropriate to the swing idiom
- Ensemble balance within a jazz combo texture
- Reading and executing jazz rhythmic figures and syncopation
- Responding to stylistic ensemble cues in a TV theme context