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Get On Board!: SA(B) Choral Book

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Get On Board! Cover Image

Get On Board!: SA(B) Choral Book

By Gwyn Arch

Item: 12-0571516092

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Description
Get on Board! offers a terrific selection of gospel favorites on the theme 'traveling to freedom', in dynamic yet straightforward arrangements. The Faber Young Voices series is devised specifically to address the needs of young or newly formed choirs looking for easy, yet rewarding new repertoire.

Titles: Good news/Ride in the chariot * Goin' up * This train/The Gospel Train

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Additional Details
Series: Faber Edition: Faber Young Voices
Publisher: Faber Music
ISBN10: 0-571-51609-2
ISBN13: 978-0-571-51609-4
UPC: 9780571516094
SKU: 12-0571516092
Instrumentation: with Piano

More about this title

About the Author: Gwyn Arch

Gwyn Arch is a choral composer and arranger with deep roots in the Faber Young Voices series, where she has consistently created accessible yet musically substantial work for developing ensembles. Her arrangements demonstrate a keen understanding of what young singers need: clear vocal lines, singable ranges, and arrangements that don't condescend to the performers or the repertoire.

Why we love this

These arrangements trust young singers with authentic gospel vocabulary without overwhelming them technically. The piano writing supports without dominating, leaving space for singers to find their voices and build confidence in a genre that demands real musicality.

What to expect

Spiritually grounded and joyful, with an undercurrent of historical weight. These are songs of resilience and hope, arranged accessibly but never sentimentally, allowing singers to feel the dignity and strength in the material.

Who it's for

Young choirs and newly formed ensembles seeking authentic repertoire that's genuinely singable. This collection works for middle school through high school singers, particularly groups building confidence in stylistic diversity and ensemble blend.

How to get the most out of it

  • Encourage singers to listen to traditional gospel recordings of these spirituals. The rhythmic freedom and call-and-response elements will feel more natural once they've heard the idiom.
  • Work the SA(B) divisi slowly at first. The optional B part gives flexibility for uneven voice distribution, but singers need time to lock into their specific line before adding dynamics.
  • Let the piano part breathe. These arrangements are spare by design; don't rush the accompaniment or cover silence with extra volume.
  • Shape phrases by the text, not by bar lines. Gospel phrasing often extends across barlines, so encourage singers to follow the natural speech rhythm of lyrics like 'Good news, good news.'

How to use it

Program these pieces when exploring American musical heritage or when your season calls for gospel voices. They pair naturally with spirituals from other cultures or with contemporary music addressing similar themes of freedom and community. The shorter, straightforward arrangements also work well as concert openers or as part of a thematic concert exploring voice and identity.

Skills your students will build

  • Gospel phrasing and rhythmic flexibility within a notated score
  • Singing SA(B) divisi with optional third part
  • Call-and-response techniques and ensemble antiphonal singing
  • Stylistic authenticity in a genre outside classical choral traditions
  • Blending and balance in sparse, text-driven arrangements

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