Get Lucky (arr. Stefan Flügel): TTTBBB Choral Octavo

Stefan Flügel's arrangement captures the track's irresistible forward momentum while giving six-part choir voices room to shine individually. The TTTBBB voicing creates a distinctive color that feels contemporary without sacrificing the harmonic sophistication directors expect from quality choral writing.

Sleek, propulsive, and irresistibly groovy. The piece channels disco's warmth and funk's rhythmic precision, creating an energy that feels both nostalgic and current. Singing it draws performers into a collaborative groove where timing and blend become the primary musical concerns.

Choirs seeking contemporary repertoire that connects with students through a recognizable, culturally relevant song. This arrangement works for youth ensembles, community choirs, and high school programs looking to bridge the gap between pop accessibility and choral artistry.

• Emphasize the syncopated rhythms with crisp articulation; these syncopations drive the groove and blur the line between pop and choral technique.
• Balance the three tenor parts carefully to maintain textural clarity rather than sonic thickness, especially in the densest sections.
• Let the bass parts anchor the harmonic foundation with confidence. Their rhythmic precision directly supports the precision the tenors need to execute their lines.

Position this in a concert as a palate cleanser between heavier classical or contemporary classical works, or build an entire set around dance and electronic music's influence on choral writing. Its recognizability also makes it an excellent finale option when you want the audience to leave energized.

• Syncopated rhythm reading and execution
• Maintaining precise ensemble rhythm without rhythmic drift
• Balancing individual vocal lines within dense six-part texture
• Singing contemporary pop material with choral technique
• Harmonic awareness across multiple independent parts