Get Lost (from Moana 2) (arr. Mark Brymer): SAB Choral Octavo

Brymer captures the exploratory spirit of this Moana 2 track without sacrificing the singability that makes SAB arrangements valuable in transitional choirs. The three-part voicing lets you showcase developing singers while maintaining enough harmonic interest to keep advanced singers engaged.

The arrangement captures the curiosity and momentum of the film's narrative, with flowing melodic lines that invite singers to tell the story rather than just sing it. There's an exploratory quality that feels both accessible and engaging, pulling singers forward through the phrases.

This arrangement works for middle school through early high school choirs, especially those building confidence in three-part mixed voicing. It also fits well in elementary settings where you have strong fifth and sixth grade singers ready to explore contemporary repertoire.

• Balance the melody line across your sopranos and altos so the narrative arc of the song comes through clearly, even when parts overlap.
• Anchor the arrangement with confident alto and bass support; when the lower voices lock in, the sopranos sit more naturally in their range.
• Lean into the film's contemporary feel by keeping diction crisp and rhythms precise rather than lush or overly legato.

Include this on a pops or film music concert where contemporary selections shine. It pairs naturally with other Disney or film arrangements, or stands alone as a crowd-pleasing opener that energizes your audience early in the program.

• Balancing melody with supporting harmony in three-part voicing
• Interpreting contemporary musical theater style within a choral context
• Maintaining rhythmic precision in flowing, narrative-driven phrases
• Blending unison and divisi sections smoothly