Get Lost (from Moana 2) (arr. Mark Brymer): SSAA Choral Octavo

Brymer's arrangement captures the adventurous spirit of the film while tailoring the voicing specifically for SSAA ensembles, a practical choice for groups with limited alto depth. The 11 pages allow enough musical space to develop the song's energy without overwhelming younger or less experienced singers, making it genuinely singable from the first rehearsal.

Energetic and expansive, like standing at the edge of discovery. The arrangement channels the motion and optimism of the film's score, with harmonies that feel both modern and emotionally grounded, inviting singers to commit fully to the journey the song describes.

This works for middle school through high school choirs, especially groups seeking contemporary material that connects with younger audiences or concert themes built around film music. The SSAA voicing makes it particularly useful for all-girls choirs or mixed choirs short on altos.

• Anchor the lower voices on their sustained harmonic foundation; the sopranos carry the melody, but the second soprano and alto lines provide the emotional lift that makes the arrangement resonate.
• Shape the phrasing to match the text's natural speech rhythm rather than metering every phrase into equal blocks. Let the words breathe.
• Balance ensemble tone against any moments where the arrangement calls for a more soloistic approach. The best performance finds the sweet spot between unified sound and individual voice clarity.

Consider pairing this with other contemporary film arrangements to build a movie music set, or use it as a lighter contrast on a concert dominated by classical or traditional repertoire. Its theatrical character and immediate appeal also make it effective for pops concerts or end-of-year celebrations.

• Four-part SSAA voicing coordination
• Phrasing contemporary melodic material
• Balancing soloistic and ensemble moments
• Singing film and popular music with musical intention