Get Lost (from Moana 2) (arr. Mark Brymer): SATB Choral Octavo
Get Lost (from Moana 2) (arr. Mark Brymer) Sheet Music Preview

Get Lost (from Moana 2) (arr. Mark Brymer): SATB Choral Octavo

Arranged by Mark Brymer

Item: 35-DS01625985
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$2.50
Description

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Additional Details
Publisher: Hal Leonard
Page Count: 11
SKU: 35-DS01625985

More about this title

About the Arranger: Mark Brymer

Mark Brymer has become one of the most prolific arrangers for school choirs, with decades of experience adapting contemporary and classical music for young singers. His arrangements balance musical sophistication with accessibility, making pieces that directors can teach effectively while students genuinely enjoy performing.

Brymer's work appears regularly in concert halls and festivals across North America, earning respect for his ear for voice leading and his instinct for what makes a song resonate with student performers and audiences alike.

Why we love this

Brymer captures the buoyant spirit of this Moana 2 track without oversimplifying the harmonic language, giving your singers something substantial to sink their teeth into. The arrangement sits comfortably for mixed ensembles while preserving the song's infectious energy, making it a rare Disney piece that feels equally strong in rehearsal and performance.

What to expect

Bright, propulsive, and full of motion; the arrangement sweeps listeners along with infectious rhythmic energy while maintaining the melodic charm of the original. You'll hear moments of lush harmony balanced against cleaner, more modern textures that keep the piece from feeling heavy or dated.

Who it's for

Any choir looking for current, engaging material that appeals to singers and audiences without compromising musicality. This works equally well for middle school ensembles discovering Disney's catalog and high school choirs seeking accessible contemporary pieces for concerts and festivals.

How to get the most out of it

  • Find the rhythmic pocket early in rehearsal by isolating the percussion-driven sections; this song lives and dies by groove, so locking that foundation first pays dividends when you layer the voices.
  • Balance the solo moments against the full choir carefully, making sure featured singers can project without drowning out the harmonic support underneath.
  • Pay attention to the text painting in the melody; Brymer's arrangement highlights specific lyrical moments, so clarity of diction becomes your tool for bringing out the storytelling.
  • Experiment with light, forward tone production rather than heavy classical voice quality; this repertoire benefits from a contemporary sensibility in sound.

How to use it

Slot this into a spring concert program where you want an audience pick-me-up after heavier repertoire, or use it as the emotional centerpiece of a film music showcase. Its eleven pages and contemporary appeal make it ideal for festival season programming, where contemporary choral arrangements draw audiences and judges alike.

Skills your students will build

  • Rhythmic precision in syncopated passages
  • Balancing solo lines over sustained harmonic accompaniment
  • Clarity of diction at tempo
  • Understanding contemporary choral arranging techniques
  • Blend and balance in SATB writing

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