Get Away Jordan: SATBBB Choral Octavo

Mark Kibble's arrangement captures the effortless groove and harmonic richness that define Take 6's sound while tailoring it for mixed voices. The SATBBB voicing gives your bass section real work without sacrificing the luminous soprano lines, and the 26 pages suggest genuine musical development rather than a simple four-minute pop cover.

Sophisticated yet grounded, with the kind of effortless cool that makes audiences forget they're listening to voices alone. The harmonic movement has warmth and jazz color; the rhythmic drive propels without sounding rushed; everything feels like it's in exactly the right place.

Choirs comfortable with jazz harmony and rhythmic independence will thrive on this arrangement. It works best for ensembles with confident bass singers and sopranos who can hold a line without relying on instruments, though the level suggests it's accessible to strong high school groups and beyond.

• Lock the rhythmic foundation early by having the lower voices establish the groove independent of melody; this arrangement rewards a rhythm section that feels anchored and unhurried.
• Balance the soprano melody against the sustained harmony underneath; resist the urge to let the tune dominate, since the textural richness lives in what the inner voices are doing.
• Pay close attention to any kick or bass articulation patterns Mark Kibble notated; even subtle rhythmic displacements in the lower voices create the pocket that makes a cappella pop arrangements sing.
• Separate rehearsal of the jazz harmony (likely involving altered chords and voice leading) from the pop melody ensures singers understand how the parts interact before blending them.

Slot this into a set of contemporary a cappella or festival program where you want to showcase your group's harmonic chops and rhythmic tightness. It pairs well alongside other Kibble-arranged pieces or sits comfortably as a solo feature if your ensemble has polished their vocal jazz vocabulary.

• Jazz harmony and voice leading
• A cappella precision and blend
• Rhythmic independence across six voices
• Pop phrasing while maintaining harmonic integrity
• Stylistically authentic interpretation of contemporary R&B and soul
• Intonation in extended harmonic structures