Gershwin for Girls (A Medley) Cover Image

Gershwin for Girls (A Medley): Choral Octavo SoundTrax CD

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Gershwin for Girls (A Medley) Cover Image

Gershwin for Girls (A Medley): Choral Octavo SoundTrax CD

Featuring: Someone to Watch Over Me / The Man I Love / I've Got a Crush on You

The music of George Gershwin / arr. Teena Chinn

Item: 00-24165

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Description
This trio of golden Gershwin favorites is a perfect feature for the women. Teena's expertise with standards is obvious in the quality of this arrangement. Use this one for concert, festival or show. Magnificent!

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Additional Details
Series: Standard Library Series
Publisher: Alfred Music
UPC: 038081262598
SKU: 00-24165

More about this title

About the Composer: George Gershwin

George Gershwin (1898-1937) bridged classical composition and American popular song with unmatched sophistication. His melodies became standards because they combined infectious rhythmic drive with genuine harmonic invention, and his gift for orchestration made every line singable and every accompaniment brilliant. For choral musicians, Gershwin's work represents the American songbook at its peak: music that demands ensemble blend, rhythmic precision, and the ability to balance sweetness with wit.

Why we love this

Teena Chinn's arrangement respects what makes these three Gershwin favorites irresistible: the sophisticated harmonies, the graceful melodic contours, and the built-in charm that comes from working with standards audiences already know and love. The medley format gives your women's voices natural variety and momentum while staying focused on the core appeal of each song. This is the kind of programming choice that builds audience connection without sacrificing musical substance.

What to expect

Elegant and buoyant, with the timeless appeal of American song. These melodies carry an inherent sophistication; even at modest tempos they sparkle with confidence, and the harmonic language gives every voice something beautiful to sing. The medley structure creates a sense of generous musical abundance, like moving through a room where every corner holds something worth lingering over.

Who it's for

Women's choirs and treble voice ensembles looking for sophisticated concert repertoire that showcases vocal blend and part singing without demanding extensive training in contemporary techniques. This arrangement works equally well in educational settings (high school and college choirs) and in community or professional women's choruses seeking quality standards repertoire.

How to get the most out of it

  • Balance the parts so that the primary melody reads clearly against the secondary lines; Gershwin's harmonies are complex enough that blend cannot mean drowning out the tune.
  • Keep the rhythmic precision tight, especially in syncopated passages typical of the jazz-inflected standards in this medley; clarity here elevates the whole arrangement.
  • Use the recorded accompaniment strategically during rehearsal to lock in ensemble entrances and harmonic colors, then periodically rehearse a cappella so singers own the tuning and balance independently.
  • Shape each song's arc individually within the medley; resist the temptation to treat the three pieces as one continuous wash, and let each have its own emotional center.

How to use it

Feature this as a centerpiece for a women's voices concert or gala, or slot it into a mixed choir concert as a distinctive interlude that showcases your treble section. The familiarity of Gershwin's tunes makes it an excellent choice for community concerts or fundraising events where engagement across generations matters.

Skills your students will build

  • Blending across parallel voice parts in jazz-influenced harmonies
  • Maintaining rhythmic precision in syncopated passages
  • Shaping melodic lines with period-appropriate phrasing and articulation
  • Reading and executing complex harmonic structures without relying heavily on the accompaniment

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