Generations: Choral Instrumental Pak
As performed by Kirby Shaw
Item: 35-PK00244035
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About the Artist: Kirby Shaw

Kirby Shaw's reputation in choral music spans five decades and multiple continents. A Doctor of Musical Arts in Choral Conducting from the University of Washington, he has worked with ensembles across 45 states and internationally in Canada, Australia, Sweden, The Netherlands, Italy, Spain, and Germany. His career includes founding the acclaimed COS Vocal Jazz Ensemble at College of the Siskiyous and directing similar programs at Colorado State University and the University of Missouri at Kansas City.
With over 2,500 choral arrangements and compositions in print, Shaw's music has sold nearly 20 million copies worldwide and continues to be performed in schools and concert halls globally. His creative output has earned him multiple ASCAP awards, and his work ranges from educational pieces to commissions for major institutions like the Mormon Tabernacle Choir. Beyond composition, Shaw brings a distinctive blend of humor and musical depth to his teaching; his vocal jazz mentors have included Bobby McFerrin, Al Jarreau, and Jon Hendricks. He currently directs the Jefferson State Choral Coalition at Southern Oregon University.
Why we love this
Shaw writes with a genuine understanding of what makes multi-generational singing work. The piece lands that rare balance between genuine musical substance and the kind of immediate joy that keeps singers of all ages engaged from the first rehearsal through concert day. The boundless energy Shaw brings to his arrangements translates here into something that feels celebratory without becoming saccharine.
What to expect
This piece radiates the kind of unforced joy that comes from singers genuinely connecting with the material. The instrumental accompaniment moves with purpose and liveliness, creating an atmosphere that feels communal and celebratory without veering into sentimentality.
Who it's for
Generations works beautifully in festival settings where singers of varied ages and experience levels perform together. It's equally at home in school concerts where you're looking for a program number that genuinely reflects the energy and spirit of your ensemble without requiring technical virtuosity.
How to get the most out of it
- Lean into the rhythmic precision during ensemble sections. Shaw's orchestrations thrive when voices and instruments lock together with clarity, so mark beat subdivisions in early rehearsals to build confidence.
- Balance the choral blend by having singers shape phrases toward the text rather than toward individual vocal lines. This work benefits from unified vowel production across the entire ensemble.
- Keep the accompaniment track at a volume that supports rather than overwhelms. Since this piece is designed for multi-generational participation, adjusting the recorded level helps younger or less experienced singers find their confidence.
- Allow space for the positive message to land with listeners. Resist the temptation to rush; breathing generously between phrases gives the optimistic content room to resonate.
How to use it
Close out a concert with this piece and you'll send audiences home energized. It also works exceptionally well as a bridge between festival rehearsals and performance, offering something substantial enough to justify rehearsal time yet accessible enough to learn quickly alongside other festival repertoire.
Skills your students will build
- Ensemble blend and balance across multiple voice parts
- Rhythmic coordination between voices and instrumental accompaniment
- Phrasing and text expression in an uplifting musical context
- Sight-reading within a multi-generational ensemble setting