Gavotte for Flute Duo and Piano Cover Image

Gavotte for Flute Duo and Piano: Flute Duo & Piano

$5.99 USD
Sale price  $5.99 USD Regular price 
Skip to product information
Gavotte for Flute Duo and Piano Cover Image

Gavotte for Flute Duo and Piano: Flute Duo & Piano

By Floyd O. Harris

Grade: 1.5

Item: 36-10411339

$5.99
Shipped

One moment…

Description
This duet for two solo instruments and piano accompaniment is perfect for a pair of beginning students' contest or recital and is available for several instruments, including two flutes, two clarinets, a combination of two alto/baritone saxophones, and two cornets/trumpets. Solo versions for instrument solo and piano are also available from the publisher.

Gavotte for Flute Duo and Piano: Flute Duo & Piano isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: LudwigMasters Woodwind Series
Publisher: Keiser Productions, Inc.
ISBN10: 1-63-361371-2
ISBN13: 978-1-63-361371-3
UPC: 676737676421
SKU: 36-10411339
Instrumentation: Flute Duo & Piano

More about this title

Why we love this

Harris writes for beginning players without condescension. The flute duo texture is lean and transparent, making it easy to hear both parts and easier still for pianists to support rather than dominate. At this level, finding a duet that sits comfortably for two young flutists and actually sounds finished is rare.

What to expect

Graceful and light, with the elegant restraint of the Baroque form. The two flute voices create a conversational quality, alternating phrases and occasionally moving in tandem, while the piano provides harmonic anchoring without heavy figuration.

Who it's for

Two beginning flutists preparing for a contest or recital, particularly those at the end of first year or beginning of second year of study. Pianists at similar levels will find the accompaniment manageable and rewarding to learn.

How to get the most out of it

  • Balance the two flute lines by having each player sit slightly forward in the chair during rehearsal; this trains both ears to listen equally to both parts rather than deferring to whoever sits stage left.
  • Lock the flute entrances with the pianist by having the duo play their opening phrase several times in tempo without moving forward until the gesture feels unified.
  • Shape the melodic contours of each flute part independently; even when moving in parallel motion, slight dynamic shaping around phrase peaks prevents the writing from sounding mechanical.
  • Mark the breath spots in both flute parts before the first full rehearsal so neither player scrambles for air during the performance.

How to use it

Slot this early on a recital to establish ensemble cohesion and build confidence. Its modest length and bright character make it an effective opener before more substantial solos, or pair it with other duets in the same series to create a cohesive section of the program.

Skills your students will build

  • Duet balance and listening to a partner while maintaining your own part
  • Phrase shaping and musical gesture in a sparse texture where every note is heard
  • Coordinating entrances and cutoffs with an accompanist
  • Reading and performing at Grade 1.5 difficulty with stylistic coherence

You May Also Like