Gavotte and Contredanse Cover Image

Gavotte and Contredanse: String Orchestra, Full Score

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Gavotte and Contredanse Cover Image

Gavotte and Contredanse: String Orchestra, Full Score

By Jean Philippe Rameau, arr. Percy Hall

Grade: 2.5

Item: 36-20255473

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Description
The Gavotte and the Contredanse are both lively French dances from the 17th century. Gaining popularity in the Court of Louis XIV, the Gavotte was a gracious dance in duple meter with four bar phrases, using simple motives and few syncopations. The contredance was a more spirited dance which obtained its beginnings from the English country dances. This dance form also became very popular in France during the time of Louis XIV. These two dances are here arranged for string orchestra by Percy Hall.

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Additional Details
Series: Great Works Publishing - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 8-89-563147-1
ISBN13: 979-8-89-563147-8
UPC: 660355099410
SKU: 36-20255473
Instrumentation: String Orchestra

More about this title

About the Composer: Jean Philippe Rameau

Jean Philippe Rameau (1683-1764) was a French Baroque composer and theorist whose keyboard works and stage music defined French musical style in the 18th century. He arrived to prominence relatively late in life but quickly became the leading figure in French opera and harpsichord composition, known for his harmonic innovation and dance forms that merged courtly elegance with structural sophistication.

Rameau's instrumental works, particularly his harpsichord suites and orchestral dances, remain central to string repertoire. His understanding of dance forms and ornamental style makes his music an ideal teaching tool for students learning Baroque character, phrasing, and the expressive possibilities of simple materials.

Why we love this

Rameau gives you two distinct French dances in one score, each with its own character and teaching moment. The Gavotte's elegant restraint and four-bar phrasing make it perfect for developing clean articulation and musical conversation between sections, while the Contredanse kicks the energy up with spirited rhythms that engage your ensemble without overwhelming them. At this level, students get authentic Baroque style without getting tangled in complexity.

What to expect

The Gavotte carries the refinement of the French court, with graceful gestures and balanced lines that move unhurried through duple meter. The Contredanse shifts the mood entirely, bringing buoyancy and a folk-rooted exuberance that recalls English country dances but filtered through French sophistication.

Who it's for

This arrangement works for intermediate string orchestras ready to tackle dance forms with historical awareness. Conductors will appreciate a score that teaches Baroque style and phrasing through music that feels accessible rather than simplified.

How to get the most out of it

  • Treat the four-bar phrases of the Gavotte as complete thoughts. Shape each one gently toward its end, letting the architecture do the work rather than pushing the tempo.
  • Balance the string sections so the dialogue between voices remains clear. Rameau's textures are transparent by design, and muddiness kills the courtly character.
  • Keep the Contredanse crisp and rhythmically precise without sacrificing warmth. The spirited energy comes from articulation and clarity, not from playing fast.

How to use it

Pair these dances on a Baroque-focused concert where they complement other suite movements or harpsichord works. They also work well as an opening set for a program highlighting national dance traditions, or as a bridge between repertoire exploring Renaissance and Classical forms.

Skills your students will build

  • Baroque phrasing in four-bar units
  • Articulation that serves courtly character rather than rhythmic propulsion
  • Transparent voicing and sectional balance
  • Dance form recognition and historical context
  • Maintaining rhythmic precision while preserving musical lilt

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