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Garden of Song: Vocal Medium Voice Acc. CD

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Garden of Song: Vocal Medium Voice Acc. CD

10 Vocal Solos for Young Voices Featuring Texts by Robert Louis Stevenson

Compiled and ed. Katie O'Connor-Ballantyne

Item: 00-48582

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Description
This delightful collection of 10 solos designed for developing voices features texts by Robert Louis Stevenson. These timeless, youthful poems are paired with moderate-range melodies by some of Alfred's finest writers, including Sally K. Albrecht, Katie O'Connor-Ballantyne, Glenda E. Franklin, Dave and Jean Perry, Janet Gardner, Greg Gilpin, and Mary Donnelly and George L. O. Strid. The supportive piano accompaniments are included on the optional CD or as downloadable audio tracks. Titles: Come, My Little Children * Foreign Lands * The Moon Has a Face * My Shadow * Pirate Story * Star Dance * The Swing * This Shall Be for Music * Where Go the Boats? * The Wind

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Additional Details
Publisher: Alfred Music
UPC: 038081556017
SKU: 00-48582

More about this title

About the Creator

This collection draws from the work of seven accomplished composers who have each contributed to Alfred's extensive catalog of educational vocal music. Sally K. Albrecht, Katie O'Connor-Ballantyne, Glenda E. Franklin, Dave and Jean Perry, Janet Gardner, Greg Gilpin, and Mary Donnelly and George L. O. Strid represent a range of approaches to writing for young voices, from lyrical storytelling to rhythmic vitality.

Their shared commitment to pairing accessible melodies with meaningful text has made their work standard in school music programs. Each composer brings distinct sensibilities to this collection while maintaining focus on what young singers need: clear vocal lines, emotionally honest settings, and music that respects both the poetry and the performer's developing range.

Why we love this

The roster of composers here spans some of choral music's most skilled melodists, each bringing a distinct sensibility to Stevenson's verses. Rather than treating these poems as quaint nostalgia, the music honors their emotional clarity and imagination—the result feels contemporary without abandoning lyricism. The recorded accompaniments remove a practical barrier for solo singers working independently, making this collection genuinely accessible for young or developing voices building confidence.

What to expect

These settings capture childhood wonder with sophistication. The melodies are singable and emotionally direct, allowing a young voice to convey genuine meaning without struggling against the music. There's a warmth and accessibility here that doesn't condescend to either poet or singer.

Who it's for

Singers developing their solo repertoire who benefit from professional accompaniment support will find genuine artistry here, not simplified filler. This collection serves middle and high school vocalists preparing for auditions, soloists in choral concerts, or private studio students working toward recital repertoire.

How to get the most out of it

  • Match your vocal color to each poem's mood. 'My Shadow' and 'Pirate Story' call for playfulness; 'The Moon Has a Face' and 'Where Go the Boats?' invite quieter introspection.
  • Use the accompaniment recording as a rehearsal tool first, singing through multiple times to internalize phrasing before performing with it. Familiarity prevents rushing or dragging.
  • Attend to Stevenson's language with clarity and natural speech rhythm. These texts reward conversational delivery, not operatic phrasing, even in moments of height or intensity.
  • Shape longer melodic lines by identifying the emotional peak of each phrase; build toward it rather than delivering all notes at the same dynamic level.

How to use it

Feature individual selections as solos in your spring or winter concert, pairing them with larger choral works to showcase talented young singers. You might also extract two or three titles to anchor a thematic concert around poetry and nature, or program one as a palate-cleansing moment between heavier choral selections.

Skills your students will build

  • Sustaining musical line through varied phrase shapes
  • Bringing poetic text to life with appropriate dynamics and articulation
  • Balancing independence with accompaniment in a solo context
  • Managing a moderate vocal range with control and ease
  • Interpreting multiple songs in a single rehearsal or practice session

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