Galop: Concert Band Conductor Score & Parts
By Arthur Bird / ed. James Syler
Grade: 4
Item: 98-DB1537
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Galop: Score | $9.00 | |
| Galop: Piccolo | $7.00 | |
| Galop: Flute | $7.00 | |
| Galop: Oboe 1 | $7.00 | |
| Galop: Oboe 2 | $7.00 | |
| Galop: Bassoon 1 | $7.00 | |
| Galop: Bassoon 2 | $7.00 | |
| Galop: E-flat Clarinet | $7.00 | |
| Galop: B-flat Clarinet 1 | $7.00 | |
| Galop: B-flat Clarinet 2 | $7.00 | |
| Galop: B-flat Clarinet 3 | $7.00 | |
| Galop: B-flat Bass Clarinet | $7.00 | |
| Galop: E-flat Alto Saxophone 1 | $7.00 | |
| Galop: E-flat Alto Saxophone 2 | $7.00 | |
| Galop: B-flat Tenor Saxophone | $7.00 | |
| Galop: E-flat Baritone Saxophone | $7.00 | |
| Galop: B-flat Trumpet 1 | $7.00 | |
| Galop: B-flat Trumpet 2 | $7.00 | |
| Galop: B-flat Trumpet 3 | $7.00 | |
| Galop: B-flat Trumpet 4 | $7.00 | |
| Galop: F Horn 1 | $7.00 | |
| Galop: F Horn 2 | $7.00 | |
| Galop: F Horn 3 | $7.00 | |
| Galop: F Horn 4 | $7.00 | |
| Galop: Trombone 1 | $7.00 | |
| Galop: Trombone 2 | $7.00 | |
| Galop: Trombone 3 | $7.00 | |
| Galop: Trombone 4 | $7.00 | |
| Galop: Baritone/Euphonium | $7.00 | |
| Galop: Baritone T.C. | $7.00 | |
| Galop: Tuba 1 | $7.00 | |
| Galop: Tuba 2 | $7.00 | |
| Galop: Double Bass | $7.00 | |
| Galop: Snare Drum/Bass Drum | $7.00 |
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Description
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More about this title
About the Composer: Arthur Bird
Arthur Bird (1856-1923) was an American composer and conductor active during the late 19th and early 20th centuries. Though his output was modest compared to his contemporaries, Bird's work demonstrated solid craftsmanship and a gift for accessible, engaging musical ideas.
This galop stands as his sole known contribution to the concert band repertoire, making it a particularly valuable discovery. The piece's directness and charm reveal Bird's understanding of what makes popular dance forms work on the concert stage.
Why we love this
Galops are rare finds in the Grade 4 concert band literature, and this one delivers genuine musical substance beneath its infectious rhythmic energy. The reassignment of parts to modern instrumentation makes the piece immediately playable without editorial gymnastics, while the manuscript source gives conductors access to Bird's original voice rather than a heavily processed arrangement.
What to expect
Buoyant and lighthearted, with the propulsive energy of a ballroom dance lifted onto the concert stage. The music bounces along with dry wit and transparent orchestration, inviting the ensemble to enjoy the momentum rather than fight it.
Who it's for
Conductors seeking a spirited, accessible concert opener that rewards solid band technique without demanding virtuosity. Bands at the Grade 4 level can execute this piece cleanly while developing rhythmic independence and sectional balance.
How to get the most out of it
- Maintain the characteristic galop lilt throughout; the rhythm section should lock the dotted figures together to avoid rushing the accompaniment.
- Bring out the color shifts as parts migrate between instrumental families; these reorchestrations are part of what makes the piece sparkle.
- Balance humor with clarity: the lightness comes from precise articulation and release, not from playing loosely.
- Give the ensemble room to breathe at phrase endings rather than pushing through them; the buoyancy of the dance thrives on crisp punctuation.
How to use it
Program this early in a concert to establish an energetic, engaging tone. Its modest length and clear structure make it an ideal pairing with longer, more complex works, or use it as a standalone opener to guarantee an immediate connection with your audience.
Skills your students will build
- Maintaining rhythmic clarity in dotted-note accompaniment figures
- Listening across instrumental sections for balance and blend
- Executing crisp articulation and release without sacrificing phrase shape
- Understanding period dance forms and their translation to the concert stage