Galliard Battaglia Cover Image

Galliard Battaglia: Interchangeable Woodwind Ensemble Score & Parts

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Galliard Battaglia Cover Image

Galliard Battaglia: Interchangeable Woodwind Ensemble Score & Parts

By Samuel Scheidt / arr. David Marlatt

Level: Medium

Item: 81-WWE224225

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Description
Galliard Battagli, popularized by trumpet players, is now available for woodwinds to have fun! In David Marlatt's arrangement of Samuel Scheidt's piece, the flashy scales shows off the quick fingers of 2 players with the others in support throughout. (1:45)

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-77893-029-8
ISBN13: 978-1-77893-029-4
UPC: 685462030309
SKU: 81-WWE224225
Instrumentation: Interchangeable Woodwind Ensemble

More about this title

About the Composer: Samuel Scheidt

Samuel Scheidt (1587-1653) was a German Baroque composer and organist whose keyboard music and sacred works anchored the Lutheran musical tradition during the seventeenth century. He spent much of his career as organist at the Halle court and left behind a substantial body of compositions for organ, ensemble, and voice that remain foundational to early Baroque keyboard literature.

Why we love this

Marlatt's arrangement transfers the Battaglia's characteristic energy from the trumpet world to the woodwind ensemble without sacrificing any of its character. The flexible instrumentation means you can use whoever shows up on a given day, while the writing smartly spotlights two quick players over a supportive foundation, making it accessible for mixed-ability groups.

What to expect

Energetic and virtuosic, with the spirited character of a Renaissance dances reimagined in full Baroque costume. The piece sparkles through those quick-fingered passages while the supporting ensemble provides harmonic color and rhythmic drive.

Who it's for

Woodwind ensembles at the intermediate level who want showpiece material with built-in flexibility. This arrangement works for schools with changing rosters or for community ensembles mixing experience levels, since the supporting parts require steady musicianship without virtuosic demands.

How to get the most out of it

  • Separate your two feature players from the accompaniment group physically or by careful balance in rehearsal; they need to cut through without drowning out the ensemble's harmonic foundation.
  • Lock the rhythmic figures in the supporting voices first, then layer in the scalework. The flashy lines will sit better against a rock-solid accompaniment.
  • Take advantage of the piece's relatively short length (1:45) to nail clarity in the fastest passages. A few dedicated runs-through will pay dividends.

How to use it

Pair this with other Baroque ensemble works for a thematically coherent concert set, or use it as a contrasting moment in a mixed-genre program where you want genuine virtuosity and light energy. It's sized perfectly for festival competitions where you need something with flash and substance.

Skills your students will build

  • articulating rapid scalar passages with clarity and evenness
  • balancing solo lines against ensemble texture
  • reading and executing Baroque rhythmic conventions
  • adapting to flexible instrumentation and transpositions

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