Gallant Fanfare: Concert Band Conductor Score & Parts
By Michael Oare
Grade: 0.5-1
Item: 35-PK01253640
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Gallant Fanfare - Conductor Score (Full Score) | $7.50 | |
| Gallant Fanfare - Flute | $6.00 | |
| Gallant Fanfare - Oboe | $6.00 | |
| Gallant Fanfare - Bb Clarinet | $6.00 | |
| Gallant Fanfare - Bb Bass Clarinet | $6.00 | |
| Gallant Fanfare - Eb Alto Saxophone | $6.00 | |
| Gallant Fanfare - Bb Tenor Saxophone | $6.00 | |
| Gallant Fanfare - Eb Baritone Saxophone | $6.00 | |
| Gallant Fanfare - Bb Trumpet | $6.00 | |
| Gallant Fanfare - F Horn | $6.00 | |
| Gallant Fanfare - Trombone/Baritone B.C./Bassoon | $6.00 | |
| Gallant Fanfare - Baritone T.C. | $6.00 | |
| Gallant Fanfare - Tuba | $6.00 | |
| Gallant Fanfare - Percussion 1 | $6.00 | |
| Gallant Fanfare - Percussion 2 | $6.00 | |
| Gallant Fanfare - Mallet Percussion | $6.00 | |
| Gallant Fanfare - Timpani | $6.00 | |
| Gallant Fanfare - Piano | $6.00 |
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Description
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About the Composer: Michael Oare

Michael Oare studied composition and music education at Old Dominion University and has spent decades shaping young musicians as an educator, conductor, and composer. For 33 years he directed bands at Great Bridge Middle School in Chesapeake, Virginia, where his ensembles earned superior ratings consistently, including 30 consecutive years performing grade 3 and 4 literature at the highest level. His works appear in the prestigious Teaching Music Through Performance series, and he has been recognized with the National Band Association's Citation of Excellence multiple times.
Oare brings both pedagogical insight and compositional craftsmanship to every score he writes. Beyond his school work, he conducts the Bay Youth Orchestras of Virginia Concert Band, serves as an adjudicator, and remains active with professional organizations including ASCAP and the Virginia Wind Symphony. His reputation rests on understanding exactly what young musicians need to succeed.
Why we love this
Oare knows how to write for early ensembles without condescension. This piece moves with genuine grandeur while respecting the technical limitations of first-year players, which means your students feel like they're performing something substantial rather than plodding through an exercise. The varied scoring keeps every section engaged, and the noble character gives your opening concert the ceremonial weight it deserves.
What to expect
Stately and ceremonial, like a processional led by instruments that know their place in something larger. The quarter-note rhythm keeps the pulse grounded and dignified, while the orchestration moves between sections in ways that feel intentional rather than arbitrary. There's a quiet confidence in the writing that invites young players to sit up straighter.
Who it's for
First-year concert bands that need a strong opening number with prestige and accessibility. This works equally well for middle school ensembles taking their first steps together and for high school groups introducing newer players to the band program.
How to get the most out of it
- Establish the stately tempo early in rehearsals. This is a processional piece, so resist the urge to rush; the nobility lives in the breathing space.
- Balance the melodic writing across sections rather than letting one voice dominate. Multiple instruments carry the main themes at different moments, which teaches your band to listen horizontally.
- The percussion parts, while rhythmically simple, anchor the harmonic foundation. Make sure timpani and bass drums lock in together from day one.
- Use the dynamic markings to shape phrases even within the narrow range of articulation choices available at this level. Subtle crescendos and diminuendos prevent the piece from sounding static.
How to use it
Open your fall concert with this piece. It establishes tone and tradition immediately, signals to families that this band takes its work seriously, and gives your ensemble a confidence boost before moving into more complex repertoire. It also pairs well with a contrasting second selection, since its noble character leaves room for something lighter or more energetic to follow.
Skills your students will build
- Sustaining stately tempos without rushing
- Ensemble balance and listening across parts
- Phrasing with limited dynamic range
- Confidence in rhythmically straightforward but musically substantial material
- Proper handling of quarter-note and eighth-note articulation in percussion