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Furaha!: Concert Band Conductor Score & Parts

$70.00 USD
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Furaha! Cover Image

Furaha!: Concert Band Conductor Score & Parts

By Brian Beck

Grade: 3 (Medium)

Item: 00-41952

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Description
Travel to the Great Lakes region of Africa with composer Brian Beck in his new work "Furaha!" Meaning "joy" in Swahili, "Furaha!" captures the festivity of a people who love to dance and sing. Written in 5/4 time, this piece provides an opportunity to challenge musicians rhythmically in a way that is fun and engaging. (3:20)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Furaha!: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Young Symphonic
Publisher: Alfred Music
Page Count: 288
UPC: 038081482675
SKU: 00-41952

More about this title

About the Composer: Brian Beck

Brian Beck

Brian Beck is a composer and arranger whose works appear on festival programs, state-prescribed music lists, and educational recordings across the country. His pieces have earned recognition from The Instrumentalist magazine, J. W. Pepper, and Tom Lee Music, and several have been featured in the GIA Publications series Teaching Music Through Performance In Band. Beck holds degrees in music education from Texas A&M University-Commerce and the University of Houston, and has directed bands at both middle and high school levels in Texas, where his ensembles earned superior ratings at UIL contests and appeared at the Midwest Band and Orchestra Clinic in Chicago.

Beck's work as a clinician and educator spans instrumental and vocal ensembles, and his compositions have been selected for TMEA Honor Band concerts, marching contests, and choral performances. His experience as a former director at Faubion Middle School in McKinney and Byrd Middle School in Duncanville shaped his approach to writing music that challenges young musicians while remaining accessible and engaging.

Why we love this

Beck writes 5/4 as something musicians actually want to navigate rather than endure. The piece swings with infectious energy and a genuine connection to its cultural source, so your band's rhythmic growth feels tied to musical purpose rather than technical drill. At Grade 3, it sits in that sweet spot where the meter demands real attention without becoming a slog.

What to expect

The music radiates joy and movement, with the 5/4 time signature becoming a vehicle for dance rather than an obstacle. Swahili cultural references emerge through orchestration choices and rhythmic shapes that evoke celebration and communal singing.

Who it's for

This score and parts package serves Grade 3 concert bands ready to tackle mixed meters with musical purpose. Conductors seeking to broaden their students' rhythmic vocabulary while programming engaging, culturally rooted repertoire will find a reliable addition to the Young Symphonic series.

How to get the most out of it

  • Lock the pulse in 5/4 early in rehearsal by isolating the kick drum and snare parts for the first few minutes. Once that foundation is steady, layer in melodic voices one section at a time.
  • Listen for the call-and-response textures that echo the piece's cultural roots. Encourage soloists and sections to shape their entries with clarity so conversational moments land with impact.
  • Bring the festive character forward in the final rehearsals. The 5/4 meter should feel like a natural groove by performance time, not a constraint.

How to use it

Open a concert with "Furaha!" to energize both ensemble and audience, or place it mid-program as a tone shift toward world music exploration. It pairs well with other meters-based curriculum goals and provides a natural springboard for conversations about global musical traditions.

Skills your students will build

  • Reading and performing in 5/4 time signature
  • Maintaining pulse stability in asymmetrical meters
  • Responding to call-and-response orchestration
  • Connecting rhythmic precision to cultural context and expressive intent

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