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Funeral March of a Marionette: Brass Quintet Score & Parts

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Funeral March of a Marionette Cover Image

Funeral March of a Marionette: Brass Quintet Score & Parts

By Charles François Gounod / arr. David Marlatt

Level: Medium-Difficult

Item: 81-BQ27250

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Description
Charles Gounod intended to compose a multi-movement work for solo piano called Suite Burlesque, and one of its movements was to be Funeral March of a Marionette. This was the only movement completed. He later orchestrated it and it has become his most popular concert work.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-55472-400-7
ISBN13: 978-1-55472-400-0
UPC: 685462002894
SKU: 81-BQ27250
Instrumentation: Brass Quintet

More about this title

About the Composer: Charles François Gounod

Charles François Gounod (1818-1893) was a French composer whose gift for melody and dramatic expression made him one of the most performed composers of the nineteenth century. Though he is best remembered for the opera Faust, Gounod composed across nearly every genre, from sacred choral works to orchestral pieces, and his music demonstrates a refined harmonic language rooted in the Romantic tradition.

Why we love this

Gounod's Funeral March has endured for over 150 years because it strikes a perfect balance between theatrical character and musical substance. David Marlatt's brass quintet arrangement preserves the work's dark humor and memorable melody while giving each player genuine musical material, making it an ideal showcase piece for both concert and contest settings.

What to expect

The piece unfolds with ironic grandeur: a stately, minor-key march that manages to be both solemn and absurd. The orchestration and harmonies create moments of genuine darkness alongside passages of almost vaudeville-style playfulness, embodying Gounod's original vision of burlesque wit translated perfectly to brass colors.

Who it's for

This arrangement suits brass quintets at the advanced-intermediate to advanced level who are preparing for festival competition or concert performance. Directors seeking a distinctive, recognized work that challenges players while remaining musically rewarding will find this a strong choice for accomplished ensembles.

How to get the most out of it

  • Shape the opening theme with a singing, lyrical approach despite the march character; this is a funeral procession for a puppet, not a military advance, and the melody should reflect its mock-serious nature.
  • Balance the weight between the two trumpets and horn in the melodic sections; neither should overshadow the other, allowing the theme to emerge as a unified voice.
  • Use dynamics strategically to emphasize the contrast between the march sections and the more delicate interior passages; dramatic shifts will heighten the comedic intent.
  • Lock the trombone and tuba foundation early in rehearsals to establish a rock-solid harmonic bed; this frees the upper voices to focus on phrasing and color.

How to use it

Program this as a concert opener or contest selection where it can serve as a substantial, crowd-pleasing centerpiece that demonstrates both technical proficiency and interpretive maturity. Its theatrical character also pairs well on a program with other Romantic-era works or with contemporary pieces that value dramatic contrast.

Skills your students will build

  • Sustaining a singing tone through longer melodic phrases in the upper register
  • Balancing harmonic voices in ensemble writing where multiple instruments carry equal weight
  • Executing dynamic control in a minor key while maintaining rhythmic precision
  • Interpreting character and style within a programmatic, narrative context

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